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Stepping into Spirit with Keys in Hand

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When your entire being is dedicated to the work of conversing with beings your conscious mind attempts to convince you do not exist, your impassioned -Will- breaks through the mental murk into silence. Here you will behold divine consciousness brought to form. Here you will entreat yourself with angels seen through Gateways of a clear stone, within a circle of unshakable truth...

I'm quite familiar with Joseph C. Lisiewski's work having read ‘Ceremonial Magic and the Power of Evocation’ several times through during the course of pursuing traditional methods of evoking the Goetia demons. I also have the sequel 'Howlings' along with his books on Kabbalah, etc. he definitely does some ground breaking work and has set the tone for the veritable practice of ceremonial magic. Many of his axioms and findings have rung true in my own work with some exceptions... His strict adherence to pseudo-religious dogma and ideals in some instances have created some of the backlash he speaks about not only after magic ritual but in his professional and personal life as well in my opinion.
 The author has a determined albeit narrow acceptance of how "things should (or will) work". In some ways he is the polar extreme to the fluffy "new angers" who have no real experience or know how in magical matters to begin with. I continue to have "mixed" feelings on his works but appreciate his efforts overall and acknowledge the genuine account of experience which seems to coincide with my own.

It's difficult to find occult books which relate -actual- successful experience working with the grimoires which is why I decided to begin writing. However, excellent and organized works on grimoires are abundant these days with authors like Stephen Skinner and Dave Rankine, Joseph Petterson, Aaron Leitch's "Secrets of the Magickal Grimoires" is a great primer for actually working these historic texts. If you want to read about actual accounts of those who have practiced historical ritual magic, I also suggest reading John King’s Imperial Arts for the Lemegeton’s Goetia, works by Frater MC, and Jake Stratton-Kent for intelligent relation through discerning experimentation. Each author had a differing philosophy and take on ceremonial magic as a whole, but each has valuable insight.

There are many novice magicians who are hoping to simply encounter a spirit or experience one genuinely and are drawn to ritual/grimoiric magic to accomplish this for them. (This was my initial motivation) Although possible, I believe one can and rather should experience the spiritual and/or divine prior to attempting conjuration. There are a few ways to achieve this but each is a locked door that can only be opened under specific circumstances suitable to the mind of the magician.

The dynamic interaction with spirits that are ‘physically’ apparent and audible, etc. is a major metal/emotional/spiritual shock to most adults who have continually structured their reality paradigm (most likely to counter these types of experiences). As a Psychology student and Hypnotherapist, the event is simply not supported well by most individuals and the mind will immediately construct an alternative to such a blatant occurrence. Not only that but I am convinced of a spiritual “moderator” who is able to determine just who and to what degree these spiritual events can actually be witnessed.

Many if not most will never experience what Lisiewski describes even if they follow his instructions to a tee because of these factors that he fails to mention or is simply unaware of. You can only “Subjectively Synthesize” yourself so much. Some simply do not have the capacity/aptitude to behold spiritual phenomena to the degree he describes (Their psyche cannot or will not support such an event). I know this due to my own experiences of trying to include others in events that confused and bewildered them and for which they were unable to process mentally/emotionally. It’s simply not time for some minds to be awakened to the worlds behind the veil.

After some of the more intense encounters, my rational, conscious mind tried to debate and conform my memory of the experience into a more acceptable framework of its constructed reality. I had to meditate often to cease the battle for acceptance going on in my own head.

My experience is such that I can state now that what Lisiewski describes and explains many times does in fact exist and occur. Yet, I also know from not only schooling but from conversations with spirits directly that not everyone perceives them (the spirits) the same way. No matter what the ritual, things still filter through the levels of human consciousness, perception, and frameworks of comprehension.

From the altar space is cast the inner reflection of the divine soul in hope, union, communion, and awareness..... This space, for you my lord, my ascendant, my mind, and heart to the heavens. Let Thy light and mind show the wonders upon this place, ...and by this grace be with me always.

The secret does truly lie with the K&C with your HGA.
 Nephilim Press will also be publishing my personal experience and take on this matter soon. I hope you who decide to purchase this work will enjoy the revelations shared by me as well as several other great magicians. Without going too far into the subject matter that the book contains, I believe true union and conversation may only occur through a very dynamic and precise magico-religious shock which initiates a dissolving of the ego, and mental perception of reality and self, that allows true awareness of that which is not created in/by the restring mind.

Some of these major locked doors I alluded to previously can only be unlocked in this fashion. Many do not come to opening their eyes to the spiritual after a rather traumatic and intense event which shifted their awareness, and dissolved long held patterns of acceptability. There is no smooth road to this for anyone wishing to step into the unknown.
The purely psychological model concerning the ‘reality’ of spirits was popular for quite some time. Although I understand completely their reasoning behind this theory my experience has shown me otherwise even when I began evocation and ritual magic from this standpoint myself.

Spiritual beings are completely distinct from human consciousness although, human consciousness, and compression are the filters used to perceive them. They have their own motivations, machinations and purposes. Many exhibit knowledge and traits that people do not have (even collectively) and are not simply, "psychological" aspects of the deep human unconscious.

Like I mentioned, I tried to adhere to this school of thought when I began in my teens, but one I was forced to abandon after evoking a spirit to complete manifestation......I realized that my personal psychology was desperately trying to accept and comprehend the reality of the situation, rather than formulate it. I was also completely aware that the actual being before me was beyond my comprehension and complete understanding. I find people of the purely psychological side of the fence have never undergone this type of experience before.

I get rather amused at those who associate the Goetia spirits to "personifications of human dark or instinctive psychological, etc. natures". The demons are aware and well-disposed if not 'versed' in these aspects of humanity but they go quite beyond that. Their abilities and knowledge transcends anything that has to do with any of these simple ideals. Such as causing earthquakes, storms, and other such phenomena.
They definitely affect and move within those passionate and exploitative aspects of humanity however. That’s how spirits and such typically work with us...magic and influence works on each subtle level through the astrally dynamic.

Fairly recently I heard ceremonial magic, ritual magic, and evocation/invocation defined as "artistic self-analysis".
Psychology was my major in college. I’m a certified hypnotherapist and spent a lot of time in the psychotherapy field. I definitely see how psychology relates in trying to decode magical workings but does not determine them by any means, just as they do not determine the machinations of the spirits.
Our interactions with formless-consciousness (entities/spirits) are always colored by our culture, language, mind, concept perception and framework of reality acceptances which we possess in the mind. Spirits tap into this and relate in ways our minds can actually accept and at least semi-comprehend.
No spirit needs to “look” like anything but they are themselves as real as anything else beyond perception……the psychological aspects placed on them aren’t necessarily false imaginings per say but they aren’t complete either. This is the reason magicians utilize ‘road-maps’ in order to work with the relative or apparent “chaos” of the spiritual world since it is so different than what physical humans perceive it as. These "road-maps" of course, are the tried and tested methods and/or 'traditions'.

Certain spirits, angels, ancestors, guiding spirits etc, can actually...fine tune (attune) our perceptions and abilities to perceive and converse with them better. Thus we are able to integrate their gifts (shared knowledge) so that we can actually see, comprehend, and do things we were unable to previously. Often, I didn't notice all I was learning or being gifted with till afterward.

Relationship is a key concept here with many magicians having their own beliefs about what is deemed as “appropriate” or most beneficial.
Working with the Almadel angels, seemed to naturally open up my ability to actually call other angels and spirits into crystals, etc better so I could see and hear them better where I couldn’t before, as well as do this for others...I’m pretty sure they (the angels) did this for me even without me consciously realizing it.
After one of our evocations, my scryer who is not a ceremonial magician, reflected on how he perceived the magic within the magical circle and during the operation. He said, “Once you begin the ceremony, you seem to create some sort of a vacuum, where the very atmosphere changes and whatever you invoke rushes to the circle, in an instant. It’s amazing!" He also spoke about how the structure and timing seems to get everything aligned and working toward the intended purpose. This made me smile, as like with many things, when you've been doing it for a while, you tend to forget just how incredible ritual magic is and how well it can work under the right circumstances. Once certain actions “click” on the spiritual as well as physical side of things, the incredible phenomena will be obviously apparent.

As I've stated several times now, its been quite enjoyable getting feedback and outside perspective from someone who is not integrated into the mechanics of Western Ceremonial Magick. The magic works whether you believe it will or not or even know what it’s about...

Without acquiring this link or some sort of ‘Spiritual ambassador’, it’s practically impossible to truly be let into the “club behind the veil’. It’s the reason why many if not most people can go about oblivious to an sign of the spiritual, intelligence…pattern, and design. If we find the correct way to ‘ask’, certain spirits can help us find the correct way to ‘see’. Its training the eye to see the 3D picture from a mess of dots...only, in reality, the dots are there to assist, if you ask

The work continues with new lessons and completely amazing achievements through the celestial powers... There is an extension of soul through which the angelic powers clear the way for clearer realization of full and destined potentiality.
I’ve been asked the question: “When angels or spirits, speak to you, what does it sound like? Do you hear them in your mind or are they actually speaking aloud?”

My response is that it seems to be all of the above and will sometimes seem to alternate without warning. 


Indeed the most confusing aspect of hearing spirits (when reflecting on it afterward) is the sense of distance/location when they are speaking. More often than not, when the spirit has either appeared or made it’s presences known, I will hear them in a way comparable to wearing high-grade earphones where no other sound, acoustics of the room, or any other factor seem to affect their voice. At times it sounds as if they are speaking directly into my ear. At other times their voices sound faint and removed as if they were a long way off though appearing right in front of me. Angels especially seem to communicate running words, visions, sensations and images together in a seamless and rather perfect way.

After a successful evocation, I am often confronted with the realization that my limited capacity to understand what was communicated to me is hindering me to comprehend the larger picture. Conversing with intelligences that definitely have higher methods of exchange seem to break things down in order for human (conscious) comprehension. Luckily, I believe human beings (at least certain ones) are able to tune into a wide variety of communication methods depending on their capacity and frequency in exposure. As a combined variable, the disembodied intelligences or powers can assist the mage greatly to bridge this chasm of dimensional communication. Exactly how and in which ways, or under what circumstances this is decided, I’m not completely sure of. It is not solely based on “attitude” or extreme piety/humility though I can say that. I have conducted evocations in sour moods where I practically expected to fail, all to have the spirit (usually angel) surprise me with a remarkable visit that seemed rather ..undeserved.

The “WIZARD’S” HAT

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"And now we come to treat of the Consecrations which, men ought to make upon all instruments and things necessary to be used in this Art: and the virtue of this Consecration most chiefly consists in two things; to wit, in the power of the person consecrating, and by the virtue of the prayer by which the Consecration is made. For in the person consecrating, there is required holiness of Life, and power of sanctifying: both which are acquired by Dignification and Initiation. And that the person himself should with a firm and undoubted faith believe the virtue, power, and efficacie hereof. And then in the Prayer itself by which this Consecration is made, there is required the like holiness; which either solely consisteth in the prayer itself, as, if it be by divine inspiration ordained to this purpose, such as we have in many places of the holy Bible; or that it be hereunto instituted through the power of the Holy Spirit, in the ordination of the Church. Otherwise there is in the Prayer a Sanctimony, which is not only by itself, but by the commemoration of holy things; as, the commemoration of holy Scriptures, Histories, Works, Miracles, Effects, Graces, Promises, Sacraments and Sacramental things, and the like. Which things, by a certain similitude, do seem properly or improperly to appertain to the thing consecrated."    -Agrippa’s Fourth Book of Occult Philosophy

The master of the art should have a crown made of virgin paper… -The Key of Solomon

The other materials are a scepter or sword; a miter or cap, a long white robe of linen, with shoes and other clothes for this purpose. – The Lemgeton (Goetia)


The “WIZARD’S” HAT

"How dare she!!"
I decided to add another section for magical tool/vestment creation. Due in part to a continued observance to Solomonic ritual magick and those who are interested in pursuing it in a more traditional way, and also as an enjoy jib toward a newly acquired magical acquaintance who just LOVES “overdressed over ego'ed wannabe powerful magicians!!” ;-)


HISTORY:

The mitre (/ˈmaɪtər/; Greek: μίτρα, "headband" or "turban"), also spelled miter, is a type of headgear now known as the traditional, ceremonial head-dress of bishops and certain abbots in the Roman Catholic Church, as well as in the Anglican Communion, some Lutheran churches, and also bishops and certain other clergy in the Eastern Orthodox churches, Eastern Catholic Churches and the Oriental Orthodox Churches. The Metropolitan of the Malankara Mar Thoma Syrian Church also wears a mitre during important ceremonies such as the Episcopal Consecration.”
“The word μίτρα, mítra, (or, in its Ionic form, μίτρη, mítrē) first appears in Greek and signifies either of several garments: a kind of waist girdle worn under a cuirass, as mentioned in Homer's Iliad; a headband used by women for their hair; a sort of formal Babylonian head dress, as mentioned by Herodotus (Histories 1.195 and 7.90). The former two meanings have been etymologically connected with the word μίτος, mítos, "thread", but the connection is tenuous at best; the latter word is probably a loan from Old Persian.
The priestly mitre or turban (Hebrew mitznefet מִצְנֶפֶת) was the head covering worn by the Jewish High Priest when he served in the Tabernacle and the Temple in Jerusalem.
The Hebrew word mitznefet (מִצְנֶפֶת) has been translated as "mitre" (KJV) or "headdress". It was most likely a "turban", as the word comes from the root "to wrap".
The turban worn by the High Priest was much larger than the head coverings of the priests and wound so that it formed a broad, flat-topped turban, resembling the blossom of a flower. The head covering of the priests was different, being wound so that it formed a cone-shaped turban, and called a migbahat.
The priestly crown (Hebrew tzitz צִיץ "blossom""flower") was attached to the turban by means of two sets of blue cords: one going over the top of the head and the other around the sides of the head at the level of the ears (Exodus 39:31).
The camelaucum (Greek: καμιλαύκιον, kamilaukion), the headdress both the mitre and the Papal tiara stem from, was originally a cap used by officials of the Imperial Byzantine court. "The tiara [from which the mitre originates] probably developed from the Phrygian cap, or frigium, a conical cap worn in the Graeco-Roman world. In the 10th century the tiara was pictured on papal coins."
Worn by a bishop, the mitre is depicted for the first time in two miniatures of the beginning of the eleventh century. The first written mention of it is found in a Bull of Pope Leo IX in the year 1049. By 1150 the use had spread to bishops throughout the West; by the 14th century the tiara was decorated with three crowns.
In its modern form in Western Christianity, the mitre is a tall folding cap, consisting of two similar parts (the front and back) rising to a peak and sewn together at the sides. Two short lappets always hang down from the back.

In the Catholic Church, the right to wear the mitre is confined by Canon law to bishops and to abbots, as it appears in the ceremony of consecration of a bishop and blessing of an abbot. Cardinals are now normally supposed to be bishops (since the time of Pope John XXIII), but even cardinals who are not bishops and who have been given special permission by the pope to decline consecration as bishops may wear the mitre. Other prelates have been granted the use of the mitre by special privilege, but this is no longer done, except in the case of an Ordinary of a Personal Ordinariate (even if he is a priest only). Former distinctions between "mitred abbots" and "non-mitred abbots" have been abolished.
The most typical mitre in the Eastern Orthodox and Byzantine Catholic churches is based on the closed Imperial crown of the late Byzantine Empire. Therefore, it too is ultimately based on the older καμιλαύκιον although it diverged from the secular headdress at a much later date, after it had already undergone further development. The crown form was not used by bishops until after the fall of Constantinople (1453).

The Eastern mitre is made in the shape of a bulbous crown, completely enclosed, and the material is of brocade, damask or cloth of gold. It may also be embroidered, and is often richly decorated with jewels. There are normally four icons attached to the mitre (often of Christ, the Theotokos, John the Baptist and the Cross), which the bishop may kiss before he puts it on. Eastern mitres are usually gold, but other liturgical colours may be used.

The mitre is topped by a cross, either made out of metal and standing upright, or embroidered in cloth and lying flat on the top. In Greek practice, the mitres of all bishops are topped with a standing cross. The same is true in the Russian tradition. Mitres awarded to priests will have the cross lying flat. Sometimes, instead of the flat cross, the mitre may have an icon on the top.
Elaborately embroidered Eastern Orthodox mitre, 1715.

As an item of Imperial regalia, along with other such items as the sakkos (Imperial dalmatic) and epigonation, the mitre came to signify the temporal authority of bishops (especially that of the Patriarch of Constantinople) within the administration of the Rum millet (i.e., the Christian community) of the Ottoman Empire. The mitre is removed at certain solemn moments during the Divine Liturgy and other services, usually being removed and replaced by the protodeacon.
The use of the mitre is a prerogative of bishops, but it may be awarded to archpriests, protopresbyters and archimandrites. The priestly mitre is not surmounted by a cross, and is awarded at the discretion of a synod of bishops.”



The Solomonic Magus cap, mitre or crown.

The KoS and Lemegeton calls for a head piece to be worn during magical evocation. Such ritual attire is noted elsewhere but you get your most detailed instructions in the KoS:

Besides this, the master of the art should have a crown made of virgin paper, upon the which should be written these four names:&mdash JEHOVA, in front; ADONAI behind; EL on the right; and GIBOR on the left. These names should be written with the ink and pen of the art, whereof we shall speak in the proper chapter. The disciples should also each have a crown of virgin paper whereon these divine symbols should be marked in scarlet. 


       Note:  “Aub24 and K288. EL GIBOR is Hebrew for "mighty God". For some reason Mathers silently departs from the manuscripts, reading: "YOD, HE, VAU, HE, in front; ADONAI behind; EL on the right; and ELOHIM on the left." Ad. 10862 reads, "inscribe these four names: Adonaÿ, Jeova, Il, Gabor." Ad. 36674: "...AGAA; AGAY; AGALTHA* [In Marg: *Aglatha]; AGLAOTH."–JHP
 

The Goetia just mentions a cap or miter which can be your standard linen Catholic Miter (mitra simplex), Jewish turban miter, or probably any significant clerical headdress of the western granted that it’s white and should be of a similar material composition as the robe.
A great way to utilize the holy names from the KoS and personal headdress style is to choose a portion of white linen or silk material (possibly the same that was used to make your robe) and attach (sew) the parchment crown to the base of the material.

So to create this magical headpiece vestment you would want to first select a piece of parchment and consecrate it towards its use. Measure the circumference of your head and allow a small bit of extra space and get an idea of where you would like the crown/miter to sit on your head. You can experiment a bit with this by using regular paper cut into strips to get it right before cutting the parchment. Once you have the length, space out the holy names to your liking so they evenly reflect the front, back, and two sides of your head. I use the red cinnabar ink that is useed for magick sigils and holy names for my BOS separated by black crosses with the black ink. This forms a nice little “magic circle” directly around your most centered and important magical tool. You’ll obviously want a bit of extra material so you can attach (sew) the parchment together making small holes and perhaps using a bit of white or red silk thread. However…if your adding the silk or linen headdress piece, don’t sew it together quite yet.

The next part will be to decide what sort of magician or wizard hat you want to have. The classical cone shape is easiest and can be seen with good examples of the “conjures” found in Esoteric Archives and included in the front of Peterson’s Lemegeton book. It’s your classical wizard’s hat with the conical shape and buffer brim near the forehead. There are two basic ways to make this one: 1. Simply cut out a triangle with the base measuring just past (enough to sew) the measurement of the length of your crown parchment. The length can be about any you desire, although I think it looks silly if it is too tall. About 5 to 7 inches is plenty and will give it more height than you can initially tell. Once you have this, simply fold the fabric in two and stitch up one side of the length. 2. Cut two pieces of fabric the base of which measures half the length of your original parchment and sew up the two sides of the length.




















Another version you can use is almost like the chef’s hat or turban where it puffs out on the sides. This one can be a bit more complicated to sew in order for it to look nice, but the best way I’ve found is to cut several small triangles together so that they form a natural dome around the top and once that is done, sew the top together. Don’t forget to turn the fabric “inside out” so that the proper shape can be seen with the rough sewn edges hidden in the inside of the hat.
Once the basic pattern for the linen or silk is sewn, you’ll want to attach it to the parchment crown in two ways. First, you’ll want to sew or otherwise attach the crown with a small part of the fabric of the hat showing at the bottom. Next, you’ll want to sew the top fabric part together, do one more check on how it will fit on your head, mark it and then sew the fabric and crown “ring” together. The last part will be to sew or attach the small piece of fabric around at the very bottom part of the sharp parchment crown to create a soft buffer.

 










There! Your basic Solomonic magical hat is complete! If you so desire, you can also attach lappets or strips of material 2-3 inches wide and roughly a foot long on the back. To do this you would want to sew them directly to the parchment and material if possible. Tassels can be added on the end for the complete fancy show. As most of you have seen, I added the All Seeing Eye to my first miter and also the planetary and astrological sign symbols to my lappets on the underside, and additional Hexagrams of Solomon to the backs. All personal touches and not needed. I advise consecrating the magical hat when it’s completed in addition to anointing the forehead before serious magical operations as these further sacraments will only further the “fire in the head” that is generated by the ceremonial magician.

The Shaman Experience

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 I decided to spend the 4th of July a bit differently than I had in the past. It was one of the rare times where id did not see or hear a single firework, did not hear our nation’s national anthem or the “ohhh” and “ahhhs” of a multitude of people as bright explosions of color occurred overhead. Instead I arrived in Florissant with my best friend and his family members to attend a rare ceremony. A woman by the name of Maile Lama, was going to perform a traditional Healing and Divining Ceremony. Maile Lama is a Shaman of Nepal and had never had a formal education but was instead trained as a shaman since she was around eight years old. This woman was not an outsider curious to learn shamanism after being raised in a modern civilization, she was born into the culture and tradition she practiced. As far a “pure” magician and seer, completely immersed in a tradition this was as close as anyone could get and rare opportunity for me.
We arrived far up in the mountains in the early evening with light rain coming down. After warm greetings and introductions from the host and several other attendees, we made our way up to the top of a hill where a large fire circle was built and places to sit. Maile Lama sat next to her translator and another assistant awaiting the rest of the gathering. The shaman woman who looked to be in her early 60’s or late 50’s was introduced by the translator and the nights proceedings were explained. Before long, Maile Lama began to drum and the drumming lasted for quite a time. I kept my senses open to absorb everything I could from senses, to opening my inner vision to see if I could catch glimpses of her ancestors and helpers spirits as she called them to joint eh circle. Before long the drumming had me in deep trance and I lost track of time and what I was even doing. I saw wisps of light move around the circle, the rains and the winds seemed to calm down and I could feel the thrum of the ceremonial drum from the earth beneath me and extend through my body. From what my sense were able to communicate to my intellect, it seemed that the drumming and chanting formed a perfect cord of frequency extending beyond time and distance to link directly to her ancestors, spirits and god-forms who had helped them to bring them into that space and time in no subtle way. The rhythm, the words, the motions, the mind of the shaman all linked from, her to the energies she contacted and desired to bring into that space. IT was a language that the surrounding forests and rocks knew, it was a pattern of energy agreeable and familiar yet unique. My instincts told me there was no part of the ceremony simply for sensation or show. Each ingredient seem to bring about the desired effects in the most harmonious way possible.


The ceremony reached a climax where Maile Lama, chanted and danced around the fire pit with very intentional practiced movements. As soon as the drumming ceased the entire atmosphere seemed to hum with the same harmonious frequency, ...as if a sandbox, made with chaotic images and sculptures were shaken till all that remained was uniform smooth, and an undisturbed level of sand. Everyone seemed to mirror this same feeling as I came gently out of the deep drumming trance and looked around. At some point in the midst of the ceremony the shaman invited those in need or want of healing to come forward, one at a time. For each individual healing she seemed to move intrinsically to the correct spaces and the person responded in turn. IT was very involved and intricate, taking several minutes to complete. Her use of the ritual implements, drum, ash, incense, water, all familiar in many respects and fascinating to me. Even though I didn’t feel like I had any major health concerns at the time, I went up to receive a healing nonetheless and experience what I could. Closing my eyes and opening my senses I could feel the motions and touch of the ritual daggers, drum and ash, all making my inner sight and senses tingle and at some points I even got senses of vertigo as things seem to realign within me. I felt “lighter” afterwards with a sense of peace and very thankful for the entire experience. Offerings and prayers were made to the fire before the final closing ceremonies and the entire event wrapped up perfectly as the night deepened. All in all a very interesting and worthwhile experience for me and I was grateful for the opportunity.

Article 1

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So an interesting follow up to my post I did shortly after I moved into my new house: http://bryanashen.blogspot.com/2013_08_01_archive.html
 


 It’s hard to believe it has been over a year! And What a year! I was so worried that my smaller magical room would dampen or dissuade me from consistent magical working …and boy was I wrong. Hands down, the most successful magical operations I have conducted to date has been in my “new” magical chamber. The modest sized room has been the location for the majority of the material which my next book will be about. Archangels, spirit kings, ghosts and elementals, all contacted in no subtle way in that room. Funny how things work out. Not only did I have a suitable place for magical workings, I also received first hand results on how a house and area can indeed be cleared by magical, albeit holy workings.
 
A quick synopsis for those not wanting to read or reread my post about clearing the house after we first moved in: The very night of the move we immediately began having haunting type activity to the point where no one could sleep very well and my wife demanded I do a clearing as soon as possible. Well after a rather intense room to room clearing with magical sword,…and an unexpected encounter with an elongated spirit with blurred, milky white features who demanded I “get all my stuff out”,… it turns out the back-story would right around the corner.
 
Several months ago, my wife pulled up in front of our house to find one of those plastic and fabric flowers near a tree in our front yard with a message attached t it. The message was an obvious note to someone who had passed away and how much the one who left the flower had missed them. A bit of research done by my wife found the name written on the note matching a one of a previous owner of the house and also a news article. The article outlined a tragedy in which some sort of conflict had broken out where the now deceased man had been in angered state and was firing off rounds in the backyard when police were called. The details which ensued afterward are vague but resulted in the man being shot and killed in the backyard, our backyard now.
 
Several months after finding the flower and news article my scryer and I were in my magical chamber talking to my –fm- house spirit at its request. My –fm- spirit mentioned to us that the man who had been shot and killed in our backyard should be “called, given a  blessing, and reassessed” at some point in the near future. I thought this was interesting albeit a bit random concerning the main topic we were talking to the spirit for. Also, the spirit thing that appeared (right in my face) didn’t want to talk or reason with me but jest kept issuing orders so I had to send it on its merry-astral way. My –fm- spirit which came along later (and shall be another post), mentioned that it was not a deceased person but a being that came in “from the land” and was rather disliking of people but apparently enjoyed making them angry, spooked, irritable, and so on.
 
Ironically (or not) my wife and I were contacted by the deceased man’s mother who also lived in the house less than a week later. Apparently she wanted to know if we would allow her in the backyard with some specialist to go over the details of her son’s death and see if there was any provable discrepancies on the side of the officer shooting and killing her son. She also left her number and asked if either my wife or I could call and speak with her concerning this. My wife called the next day and had a rather interesting conversation with the woman.. She at first spoke about the history and the fact that her son had been shot and killed there and was apologetic to break the news to us to which my wife said that she had already found out and was aware of the situation. The woman went on to ask my wife if we had “experienced any unusual phenomena” and described how she had always hear footsteps, find windows in the downstairs open, and other unusually occurrences. Besides this she also remarked how the family were always fighting, how there was always a tension in the air there. My wife said that there had been occurrences but that her husband was sort of an expert in this area and knew how to get rid of it and that the house was peaceful.  …Apparently this woman had already done a bit of background checking on both myself and my wife and found out that I’m a magician  :-0… (it’s really not hard to do these days…ohh well)  Luckily she was not antagonistic towards me or my wife knowing this fact and actually delighted to hear that I had done something about the haunting. I continue to find it rather amusing how the realities of my life tend to play out like a not so boring paranormal occult novel. Not that I’m complaining, but it does make you shake your head and smile at just how interesting life can be and how very few would ever believe it.

MAGICAL SERVICES

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Fairly recently I began offering magical services in the area of magical consulting, spellwork, and talisman/implement constructing.

In the past years I have enjoyed speaking with those who have come seeking my perspective on matters which typically relate to the magical grimoires and their practice. Although I in no way consider my viewpoint and experience the end all to classical magical working, I am happy to share what I have learned with those who value my time.



A major reason why I have not blogged much in the last year or so is greatly due to my schedule filling up beyond belief. Besides writing books and tiredly continuing my own magical rituals, more and more eager magicians have come to me asking my assistance and feedback regarding their own work. A few have commissioned me to create magical items for them that they themselves do not have the skill or time to make themselves. I found I have enjoyed doing this for the individuals who truly appreciate what I do and the time and effort which goes into my magical work.



Those who know me and know my work, KNOW that I take magical pursuits very seriously and am not interested in cutting corners on conducting rituals, striving for unambiguous results, and conducting rituals with the proper implements and paraphernalia. In the area of classical magical I have a very particular approach and have realized I am not the only one.



For those of you on the path of traditional western ceremonial/ritual magick, the Solomonic strain of grimoric evocation/invocation, and conjuration, if there is a matter you think I could help you with then you may wish to consider the following services I am now providing:





Magical consulting price list:

-For Skype or other visual/audio media conference: $125.00 per hour.

-For Instant Messaging over Social media: $90.00 per hour.

- For email assistance and correspondence for your particular issue, price will be adjusted based on length of teaching/coaching, and feedback etc.

- Spellwork will be considered and priced after initial inquiry and consideration of your request. I am unlikely to assist anyone who is wishing to manipulate another, bring them under your control, put a love or hex on anyone or other such nonsense. If your motivations and reasons for magic are in any way suspect I will most likely not take your case.



Making veritable magical implements is also my forte as I have made countless vestments, implements, and other such items used in ceremonial magick based from the Solomonic strain of ceremonial magic. If you need an Item based of the Key of Solomon, The Lesser Key or Lemegeton, Heptomeron, Grimorium Verum, The Grand Grimoire, The Grimoire of Pope Honorius, etc. I have either made them already or could make them as they are specified in the actual grimoire. My abilities and expertise are not limited to the above works of magic however so if you are interested in an art or implement outside of this realm feel free to inquire.

I also have made the ritual items for DSIC as I describe in my book, Gateways Through Stone and Circle not only for myself but for other serious magicians as well. 



Many if not most grimoric items are quite difficult to make properly. The materials which go into them are typically expensive and difficult to come by as well. I time the crafting of such implements seriously and will adhere to the times and planetary alignments listed in the Key of Solomon if they are not specifically listed in the grimoire  they originate from.

For the Art of DRAWING SPIRITS INTO CRYSTALS (DSIC):

For the Ebony Pedestal: $900.00  (Materials: Black ebony wood, 24k gold leafing and symbols, 18k gold filled plate and %100 quartz crystal sphere.




For the Holy Table: $200.00 on round  wood disk of 1 1/2" to 3" engraved and painted. (Wax or metal Holy table will be priced differently depending on type of material desired.



Ebony wand made to your specifications of dimensions, length and lettering: $300.00 

(ebony wood, 24k gold leafing.)



Magic circle painted on canvas (DSIC)  

5" diameter : $125.00

8" diameter : $180.00

9" diameter: $260.00





Talismans as from the Key of Solomon:





(Price of Talisman will be determined by material used, difficulty, size and method of construction.)





If you are looking for a magical item which is not mentioned in the above, email me with as much detail as you are looking for and I will quote you a price.









 LARGE 18" diameter Scrying Mirror of The Moon with stand: $300.00




 For Any of the above services, contact me at:
BryanAshen@yahoo.com or find me on Face Book: Frater Ashen Chassan.




GATEWAYS THROUGH STONE AND CIRCLE AVALIABLE!

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After A MUCH overdo waiting period my first book, GATEWAYS THROUGH STONE AND CIRCLEis finally available in paperback!!! This second edition will feature new artwork, book corrections in spelling and Hebrew and also about 20+ pages more of additional information and writing!!!  



The new cover art turned out quite well I thought.   











To order please visit: http://www.amazon.com/Gateways-Through-Stone-Circle-Chassan/dp/0983063931/ref=sr_1_1?ie=UTF8&qid=1424222694&sr=8-1&keywords=gateways+through+stone+and+circle


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Also to those whom have read my book I ask that you please share your review on there as well! :)


I also want to take this time to say that my second volume and follow up to 'GATEWAYS'  is well underway. Its over 200 pages already and still has much more to go into it for completion. Not to keep readers on pins and needles but I can hardly wait to share this book as I believe it will FAR OUTDO my first volume by light years. 
In this second book I am sharing the complete working of the past three years of my scryer and I going through a torrent of magical evocations and experiences. Each account is a DIRECT transcription of the audio recordings of EACH evocation to make sure the information was transferred truthfully and complete afterword and also to judge and reflect on the results which followed. including:

-Astral projections into the 4 Elemental Realms and evoking the Kings of the 4 Elemental realms.
A complete cycle of evoking the 7 Planetary Archangels as listed in my first book, GATEWAYS THROUGH STONE AND CIRCLE. With startling information, relations, results, experiences with new talismans, magical methods and instructions from the archangels.
In addition, relations of our experiences and results summoning Archangel Uriel, Metatron, and Sandalphon are shared.

-Contacting, ghosts, true accounts of paranormal investigation via magic and traditional scrying methods as well as verifying contacts and results. True necromancy work.  Also I will be sharing how I successfully conjured a helper (house) spirit into a skull that has since acted as my personal advisor) and mediator between the spiritual and physical world.

-The Mighty 4 KINGS or governor, Guardians of the 4 directions are shared and revealed in this work, fitting the missing sections of the ancient grimoires and magical texts together in a more cohesive and complete system. Much is revealed by the spirits and angels themselves.

-The 7 Olympic Spirits are contacted in startling new clarity and information on how to work with them through the culmination of DSIC, Arbatel, and The Secret Grimorie of Turiel. 







FINALLY ...MY BOOK!!!

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I was hesitant to write this post but now feel confident that my DSIC book will FINALLY be a go after much waiting, and disheartening past moments from other publishers. I’m excited to finally get this thing moving once again! I know it seems as if I’ve made this post before but hopefully this will be the last time. I do not have a DATE FOR RELEASE of the book yet, but I do have confirmation of a contract and a very supportive publishing company who is behind me and thinks this book will be a tremendous success!

I’ve been continuing with my work and working with a promising student who is deciding to try this experiment and work it as I have given it as well. Even with the book’s progression toward print, the work that this book describes in detail has blossomed into a growing art which I hope will inspire many competent magicians. My hope is that it will yield similar, astounding fruit from its use and application.  Thank you to all my fellow magicians who have read and supported this work and in particular to Magus Michael Cecchetelli for introducing me to my prospective publisher.

 

Traditional magic work is tedious, time consuming, and difficult to juggle with the equal task of living a successful, modern-day lifestyle. The effects of results and experiences are worth it for those who achieve it though, and I hope this book will do just that for those who have a desire to see it done no matter the difficulty.

 Thank you to all those who have been patiently waiting for this, I've been eager to get it to you....hopefully the wait shall not be much longer!

Article 23

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Morning evocation with Eastern chora angel reminds me that angels are ill concerned for helping humans support a faulty fantasy of ourselves or some sense of deserved circumstance. Instead the angel revealed truth and the simple path for true happiness which does not match the glimmering temptations of society nor my haughty imaginings. Not only are these angels veritable beyond question, they shred the illusions and fallacies of this world in an hour of words and images shown in stark clarity. How much do I really want to connect to divinity, and the world of spirit? How much do we (I) just really want to be externally gratified and supported by a spirit to fulfill physical extravagances?

Ironically, I remember when my magical experiments began with questions of, “is it real? Will it work?”  Now the questions are “Can I live in the way which the being describes? Will I do what is required to really be what I said I desired to be?”  Its not complicated…Its ridiculously simple.

Simple, but not easy. Obviously, what it means to be a “great magician” is defined by an angel differently than my own ego. I’m wagering on the side of the angel having clearer view of reality than myself these days……all days. I wonder how many people would actually acknowledge the truth if it was shown to them when asked?

Article 22

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Itook a brief recess from intense magical workings these past few months, with moderate workings, research, and meditations keeping me in the flow. Luckily, with obvious signs boosting me back toward another round of evocations, magical journeys, and discoveries, I have reignited my passion for specific spiritual exploits and intense grimoric undertakings.

A few months ago, I butted heads with a few respected magicians who I have come to call respected acquaintances more so than simply colleagues. The issue arose when I became disheartened after I read so many magicians downplaying the effects and purpose of the so called “physical manifestation” phenomena which occurs during classical evocation of spirits. At first, many of the arguments were based on semantics where the word “physical” should have obviously been replaced with “visual” as I have yet to read where any magician is convinced that the spirit actually takes on “physical/tangible” form. It may refer also to the actual PHYSICAL effects the spirit or conjuration ceremony has on the physical environment: poltergeist activity, banging on walls, flashes of light, winds in a sealed room, etc.  However the phrase most likely is meant to dictate that the spirit looks solid as if indeed, a physical being was standing before you in the room.   
My arguments for the support of and importance of this type of conjuration have already been expressed in a previous posting. My reasons for brining it up again are not to reiterate old arguments but to express a realization I had during contemplation and meditation of my previous experiences and also determination to continue performing these types of rituals.  I really feel that spiritual evocation in this particular fashion is at the Height of magical aptitude for a truly gifted adept. One I’m determined to perfect to the best of my ability. It is not simply another method in the wide array of magical undertakings.  It is not the completed end to means either, but certainly one of the most powerful feats afforded to the western Magus. Allow me to expound on this further:



  When done properly, a ceremonial magician engages their highest potential of personal power and will to effectivelypull a non-corporeal entityinto/onto the physical word andactively engaging it in visual and auditory conversation. Granted, there seems to be a measure of mental and spiritual exaltation involved for the operator to be able to fully behold the spirit, ( meeting it part way) but the effect is second to none, scans complete and utter possession which is not a personal pursuit of mine.
Arguments about the grimorical importance of classical magicians calling spirits to full blown visual appearance were thrown about as if the textual proof was the final say on the matter. Fortunately (or not) that discussion is solely for magical scholars and researchers who have not experienced the event first hand.  I dare say that every successful magician who has achieved this outcome. ( I know of three that I believe have achieved it) will argue that there is no comparison between evocation to “physical  manifestation” and “other forms of spiritual contact” . The event takes quite a great deal of energy and preparation to perform successfully and furthermore, ability to actually bring it about. 


The above realization was made more concrete after years of failure, half-successful attempts and disillusioned acceptances of other modified forms of spirit contact. Luckily never settling for "good enough", i pressed on. Magic in and of itself is multifaceted, stretching across countless measures and methods, cultural and religious filters for achieving a multitude of ends. However, the degree to which those actions produced effects in the physical world, and to witch degree you can observe and objectively experience these workings are debatable.  Evocation, of what I deem a traditional way hits on multiple aspects of Adepthood despite the intense phenomena which occur as result of a successful operation.
   The very time it takes to learn the ritual by heart, create and collect all the necessary and typically rare items, plan out and perform the entire ritual correctly, and work through the rigorous purification process before performing the actual evocation, is a testament to the ability, discipline, willpower, determination, and tenacity of not only the magician, but to to the validity of the ritual. Very few  magical workings can attest to achieving so many dynamic spiritual paradigms . Indeed, few magicians have the desire, or means to even carry out such a task.  It is typically the magicians who never try are the same  magicians who scoff heaviest at such “purest ideals".
Another reason why I place SO much emphasis on this type of practice is that it a veritable MAGICAL TEST unlike any another. It might be comparative to a full fledged ring fight after years of training, conditioning and working your ass off. You only know if you GOT WHAT IT TAKES, when your finally in the ring (or circle as it were) For the Olympic athlete who dedicates their life to being the best at what they do, the chance to prove themselves at the games is an opportunity of a life time.  There are not many TESTS a magician can put themselves to. How do you REALLY gauge proficiency and level of achievement? If you’re a comfy New Ager, you’ll stick with the folks that assure you that “whatever you do will be fine and that of COURSE your magic/spell worked! Just maybe not how you thought.”
All too often, magicians get swept away in the fluffy, “everyone’s right” and “of course you are powerful” flimflam of the modern, overweight-sloppy, pagan movement which is an embarrassment to the magical community as I view it.
This is not to come off as insulting or even “superior” to others. Far from it, these standards are what I hold myself to. If you find yourself insulted, you may what to ask “why”?
 Look, anyone who claims personal power of any degree and leads and unhealthy and unsuccessful lifestyle does NOT have any powerful effect over the real world ( let alone…themselves).  Quite the opposite in fact, most likely they are being consumed by their own disillusioned fantasies and personal justifications. As within so without guys, the circumstances don’t lie.  These types of people have NO REAL MAGICAL POWERS TO SPEAK of.  –Period- I have little regard for the se types of people, and pay no heed when they try to “inform” me of their particular magical quality. I take these hard truths under account myself and see OBVIOUS areas where I need improvement. If I don’t look hard enough at myself, I find myself coming up with self-justifications and excuses….a poor road to magic and development.




SO back to evocation:  Here is my gauge for my magical development since it is extremely difficult in the textual sense. Difficult not only to produce the intended result of “physical manifestation/appearance” but to keep a level head during the entire rite, to stand sometimes over an hour after having fasting and preparing, all the while taking notes and trying to record exactly what the spirit is telling me, word for word without falsely interpreting it. I do this all while trying to maintain a very exalted state of mind/being.

The magic is not just “In the results” guys! It’s just part of the whole process. Since my purpose for magic is not just to get that extra money, extra, influence, power, protection or what have you, its in the very action in and of itself. The “how”. I may be an energy or experience junkie, but this is what fuels me in ceremonial magic; the whole big KABOOM, beginning to end, the intense experience and follow up. If given the choice, I would NOT elect to skip the dramatics and just get to “what I want”. To me that would be missing the whole point.. I realize others don’t feel this way and that is fine. I don’t mean to push my methods on others, just express the passion behind my own. Occult knowledge is not solely gained from the spirit, but from the performance of the evocation itself.

SO needless to say, I am relatively unconcerned with most modern and abridged forms of magical workings and pay them and the magicians who practice them little mind.Granted, a point I agree with is that the physical items and strict ceremonies will not be as necessary as experience and understanding increase. However, I feel this is a justification many people jump to way to early without first really achieving the results I mentioned before.


ON ANOTHER NOTE>…….
Recently a new influx of magical workings and possibilities has been on the table and I’ve been passionately pursuing old passions and abilities. Despite my primary passion for Ceremonial magic in spiritual evocation, I’m once again exploring the astral worlds by heading there myself…..and taking others with me.

When I was fifteen years of age, I learned how to hypnotize people after reading an article about it and trying it out on a close friend. Soon afterword I was hypnotizing my immediate family and close friends. One method which has been quite successful has been assisting others to astral project while under a deep state of hypnosis. So successful was the method that my father who at the time was the biggest skeptic and attributed the phenomena to heightened imagination, came awake shocked after feeling the literal and very real effects of lifting out of his body.

Some experiments are set in place to conduct purposeful projection to locations of the physical nature and then not so physical nature. The purpose: For beginners, it will be a shared knowledge of experience and experimentation…then, who knows. Already, a close friend and magical colleague has experienced a tremendous voyage while having an out of body experience... 

Article 21

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HERE COMES THE SUN! …do do do do

A Sun alignment NO magician would want to miss!
                 Sun20 -Leo-19'46"


TALISMANS FOR SALE!!  LEO’s you Don’t Want to miss this!

A student of mine who is currently undergoing the complete process for DSIC made me aware of a VERY potent Sun election which occurred today at Sunrise. Naturally this was an opportunity I could not miss!
Under the same process of Drawing Spirits into Crystals, I got in contact with archangel Michael and subordinate solar spirits and angels. In crafting these rare talismans, formulas were utilized (sufumigation blends and Invocations) from the Veritable Key of Solomon by Stephen Skinner and David Rankine.  The talismans which I created are some VERY potent Sun talismans, using authentic calf parchment paper, some regular parchment paper, and very last of my LION SKIN. I wasn't able to spend time on exact detail as I was working within the Sun's time frame and with the limited consecrated tools I had with me in the circle.

I awoke early, a good half-hour before the first hour of the Sun and took a ritualized shower and headed downstairs to my magical room. I prepared everything within my circle, blending the Sun incenses/sufumigations together, prepared the ink, colors, and materials I would be using. The following seals are what I constructed within the hour to the best of my ability and materials I had with me. I must say I’m quite pleased by what I was able to turn out and the utter potency of  these seals were filled with during the ritual. Bright was my chamber, and warm as if the sun had peeked through the very roof and floors of my house. I felt St. Michael present as well as other solar energies as I focused my work and called them to consecrate my talismans.  The invocations used were based from the VKoS  with my added intentions and are given below:

Incense of the Sun on lion skin

Some of the material I was working with




Prayer for Sunday from the Veritable Key of Solomon

“Lord Adonai, who has shaped a lowly sinner in your image and resemblance, from base and abject clay and earth, to initiate him for the remainder of time into the deep knowledge of your ineffable wonders, deign by the virtue of the Holy Names, which you made your servant Moses write on the Mystical Tables, to bless and sanctify all my Operations and ventures. O Arabonas, Jerablem, Jodadae, Zophiel, Eloy, Abraxas.”

Invocation for Sunday from the Veritable Key of Solomon

From the VKosS
“Come, Heavenly Spirits, who are bright and resplendent with the rays of the Sun. Luminous Spirits, who are most prompt to obey the powerful voice of the great and wondrous Tetragrammaton, come to assist me in my Operation, which I undertake under auspices of the torch of the day, which our Creator has created for the use of all Nature. I invoke you to this purpose, to bless, empower, and consecrate materials and these seals which I will craft during this most potent hour, indulge me and come to my entreaties, which I make to you in the name of Him, who has desired to bear the glorious titles of Amoriam, Adonai, Sabaoth.”

Conjuration of Sunday from the Veritable Key of Solomon
“Oh happy spirits, who have been created to look at the face of Him, who is seated upon the Cherubim; I conjure you, Spirits, full of power, in the names of Sadai, Kadosh, Phah, Zaraye, Elohim, by the name of the first light, which is the Sun, that you come and contribute to the happy success of the Operation I am undertaking. I conjure you anew, that you use your virtue and power to separate the evil-doing spirits, who may detract from the benign influences of my work. I repeat my Conjuration by the virtue of the Divine Names, Abaye, Radiel, Caracasa, Amadeyel.”



Description of the Pentacles from the Veritable Key of Solomon


Pentacles and Talismans For Sunday under the Sun for Honors and Riches


Intuitive Lion Skin LEO Talisman showing front and reverse side with hair

Sun Talisman Showing Solar King, sun, symbol, and lion on LION skin

Showing King Talisman above and Archangel Michael sigil on Lion skin below
-Bottom SOLD

Sun Talisman on lion skin

SOLD
Close up of Archangel Michael Sigil on Lion skin
-SOLD-

Sun Talisman on calf parchment paper vellum from the VKoS
"For Honors and Dignities For Sunday under the Sun."

Sun Talisman on calf parchment paper vellum from the VKos
 "For Honors and Riches For Sunday under the Sun."
2nd version

Sun Talisman on calf parchment paper vellum from the VKos
"For Honors and Riches For Sunday under the Sun."
1st version

Sun Talisman on calf parchment paper vellum from the VKos
"At the sight of this Pentacle all Spirits will obey For Sunday under the Sun."

Sun talisman from intuition showing Sun, Michael in Hebrew
 Leo sign surrounded by Sun sigils of Great and moderate fortune


REVERSE of Sun talisman from intuition showing Sun, Michael in Hebrew
 Sun Character sign surrounded by Sun sigils of  intelligence and daemon

Lion skin Solar talismans are $85.00
Calf skin parchment/vellum talismans are $65.00
Paper parchment talismans are $36.00



I had a tremendously prosperous magical undertaking this morning and I hope other magicians did as well. :) These seals could not have been created at a better time! I'm looking forward to seeing how the ones I am keeping for myself are going to work! Anyone who needs a little profitable "sunshine" in their lives will certainly benefit from these. I would love to hear feed back from those who obtain these.

A Journey into Fire

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A few weeks ago I offered a few close friends (who were willing) a chance to experience the sensation of true astral projection and exploration in the astral planes. The first person to volunteer was a gifted seer, veritable Druid in the Celtic path, and long time friend.

 In the two experiments given bellow I was lucky enough to have a partner who had been developing his spiritual sight and practice consistently for many years. That is to say his dedication for daily meditations, rituals, and following his path is impressive by anyone’s standards. We had known each other for over a decade and working together was quite easy and productive.

 My method for inducing the effects for astral projection is to have the subject experience the deepest level of trance and relaxation as they are able and to physically experience the notable effects of pre-astral travel before the actual experience occurs. They are led to feel the quick vibrational hum of the energy moving about them, the experience of rocking or spinning, loosing sense of direction and gravity, and the sensation of lifting out of their body.

 This was the first experiment I did with him to experience the astral plane. His record is below:



"First the sensation of rising was gentle but palpable. I was very aware of Fra. Ashen's voice during the entire experience. Before leaving the room, which I could not see very well, I was suddenly rising through the floor of a hospital room in the midst of a surrounding privacy curtains, around a bed that contained a man whose face was in very bad shape, bloody, swollen, he looked to be completely unaware, the vision quickly faded and I was back rising through the roof of the house.
Sense of relaxation was very intense now, the vastness of the blue sky was high, very high above me. I saw for a moment a bird, a black bird, crow or raven flying above me. Again that vision faded and I was back in a dark relaxed state with lights moving before my vision. Moving into space was unsettling, but not dibilitatingly so. The light grew before me and as I moved into it ti was totally encompassing. Again there was a brief vision of a room, totally white, like light infused cream, with table and chairs also white. Again this faded but the feeling of the room was still there.
As Fra. Ashen directed me to see a guide a face appeared before me, very androgynous in appearance, but beautiful and kind in a stoic way. There were not words exchanged at first only impressions. Impression of frequent visitations by his kind to our planet, conveyed with some humor but some gravity. Felt his energy encompass me, almost like wings, an energy exchange or communication, perhaps both.
When I asked how I could easily contact him he pointed to my forehead and heart and said, “Through these places.” Strong impression of needing to work closely with the Operator. When I asked his name there seemed to be a moment of consideration on his part. Impression he had many, eventually he said, (name was given but am omitting it for blog). As I was returning, I saw a very detailed vision of a long rod of aquamarine filled with energy, and pearlized light. Coming back was very comforting and the feeling or dropping back in was not bad in anyway, like a feather falling on a windless day."




Elemental planes. 

This was an exciting proposal for me as it allowed me to recreate magical practices I had delved into during the earlier parts of my magical training and discovery while sharing it with others in a dynamic way. My early foundations for ritual/ceremonial magic were based upon these certain principles and it seemed more than appropriate to come full circle and acknowledge just how much my abilities and methods have matured over the years. In this sense, the practices as well as my magical tools have undergone quite a metamorphosis to encompass my understanding and experience as it has developed.


Hypnosis used with the effects of the “Magician’s Voice” to draw others into a shared mystical  experience has been a great tool.  I find that if I can just “get the person there”,  the rest of the ceremony will follow suit without me having to paint the picture of what things “should” be like. The person experiences what they will all on their own with their own perceptions.

I construct the ritual by utilizing my formula for astral projection coupled with the portal opening invocations by the “Opening by Watchtower” – In this instance, specifically for the Fire element.  I assist others to experience the realm of fire and the beings which inhabit it. The traveler will is seated within a magically concreted circle facing the south while gazing at a large, and specifically made fire Tatwaa board. I have them stare at the symbol while taking them through some breathing and deepening exercises. Post hypnotic suggestions are placed to take them into a deep state of mind and form a strong bond with the symbol they are gazing at.
The experience below was again done with the same friend and magical coworker I mentioned above. We have continued to work together and have been vastly enjoying the results and benefits of every operation.

After the chants have been said and invoking done with my fire wand, the subject forms  a strong astral connection to the symbol or Tattwa. I will help deepen the level of focus and assist with the ability to project through the tatwaa as a doorway to the Fire realm. – Sound like fun?

FIRE ELMENTAL REALM EXPERIENCE



My magical chamber is set up with TRITHEMIUS circle. An altar was set to the South coverd a scarlet silk covering. My fire wand, a brass censor, fire incense, and candles, as well as few other fire element corresponding symbols are all placed on the altar. my personalized Fire altar tablet with additional Tejas tattwa card are set outside of the circle directly in front of the seated subject. A large “portal mirror” acts as the stand and resting doorway for the tablet and Tattwa card. The subject sits in a comfortable chair and is seated directly behind the altar, placed within the circle facing south. Fire signs drawn over subject’s third eye with fire wand and fire sign portal (upside down V) drawn on his third eye with consecrated fire oil (the likeness to Oil of Abramelin)



As the subject contuse to deepen and star at the fire card, I begin the peremptory and traditional LBRP

Light trance induced where I had him begin to stare at the tattwa card and focus his gaze on it as lit all the red candles and placed fire incense on the censor. I then raise the fire wand in my hand and perform the Opening by watchtower, “And When after all the phantoms are banished, thou shalt see that Holy and Formless Fire! That fire which darts and flashes through the hidden depths of the universe. Hear thou, the voice of fire!” I thrust my fire wand three times toward the tablet, plus symbols of the realm of fire, then an invoking pentagram of fire with the fire Kerub) within the center. Strong, focused intentions are directed toward opening the astral door way to the realm of fire through the tablet. I intone with vigor, “OIP TEAA PEDOCE”,and point my fire wand at the center and intone ELOHIM.  “In the names and letters of the great Southern Quadrangle, I Invoke ye, ye angels of the Watchtower of the South!”
Energies in circle and room immediately change as I turn to the scryer/subject and guide him to astral travel state as he continues to stare, I find the right time and have him close his eyes, knowing he’s able to see the inverse tattwa image on his retina…
..With a successive count from 10 down to one, I suggest the Tattwa image growing larger and larger and him being drawn like a magnet toward it. It continues to move closer and grow larger till it become the size of a door way. With a focused breath of release of astral momentum, I could sense the scryer’s energy move out toward the south and fire tablet. At this Point I chanted the Divine name: Yhvh Tzabaoth followed by Archangel: Michael, and Angel: Aral. Further suggestions of allowing images and sense to become acute and experience the Fire elemental plane were given… then I remained still to sense the experiences myself.



Scyer’s Experience:

“As Fra. Ashen’s voice began to direct me through the tattwa I could easily see the reversal of color of the red and green. The doorway being green through my logical associations with color and put them aside and let the experience be. Stepping through the triangle, it lead me into foliage, seeing pulses of light zipping through leaves, vines, and branches. The idea of communicating life force was very evident, in green life. At his point my vision faded out again and I could not see. The I was able to barely see a city formed of shining brass and black and red marble, towers and spinnerets of shining gold, and above it all a great burning presence life suns next to one another and overpowering in light and heat. This was when Fra. Ashen invoked the Archangel Michael. There was so much movement, and I am such a terriblemultitasker that it was hard to follow the beings the flashed and moved everywhere, with such rapidity of motion and speed that it took me a long time to get my bearings in all the chaos.





I had to shut my sight down for a few seconds and ask for a being to stop and converse with me. As my vision returned I saw only a face of flame very intent on me. When I asked his name and who he was he cried out “EFREET!!!” Raising his arms and suddenly the scene behind came flooding into vision. A red plain of smooth lave and on the lava sat thousands of brass vases and out of the vases shot pillars of thin fire straight in to the sky. Where the fires touched the ether, above them formed stars, thousands of them.

The Efreet spoke of purification and that it was that energy that connected it with water. It said that healers must bring the presence of fire with them when healing to burn away what was most harmful and unneeded. He talked of connecting into the fire to energize and push through obstacles, it’s energy linked to all four of the forces that fuse the golden key. That fire had many forms some cooling, destructive, purifying, but all was passionate energy.”



The session was concluded by a hypnotic command to do an about face and once again see the astral door way of the fire Tattwa in front of him (the Scryer) and have him once again step through the portal back into the room, a quick 1 to 10 count was given and a Closing by Watchtower of the fire portal was done with a banishing pentagram of fire drawn over. No LBRP was done and the room remained ENERGIZED for a time…… Very positive and amazing energy flowed through both of us the entire reminder of the day and evening. After the operation, I left to run 3 miles and teach my martial arts class with plenty of energy left to burn!


Nine Days to the Knight

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Evocation Time

Most folks didn’t hear from me the past 9 days, or seemed "removed" due to the fact that I was preparing for another Goetic evocation. I decided to evoke the Knight again and see what I might be able to further learn from him. My evocations get increasingly better with each round and I’m hoping this is any area I come to “perfect” one day, if there is such a thing. AS most know who read my blog, I’m mostly only interested to evocation to full visual and auditory presence concerning the Ars Goetia of the Lemegeton.

It’s always interesting undergoing this ritualistic purification time. The whole magical act from retreat, abstaining and fasting, to building and preparing all the magical equipment is a noteworthy magical act in and of itself. I must admit, the nine days aren’t exactly easy for me and I find all sorts of circumstances arise when I have my mind set on focusing solely on magical ritual. As I do not have the luxury to remove myself to some solitary cabin in the woods or magician’s hermitage, I have to make do with moderating my day to day life with magical intrigue.  Determined to not be distracted, trying to be “holy”, and immediately cease various habits and ways of thinking can be difficult as the days and hours role on. It seems certain spirits put further tests in your way to challenge your resolve and determination.  Regardless, I refreshed my memory to recite the conjurations from heart and reconnected my will to come into alignment with the art.





For this evocation, I decided to borrow my close friend’s garage, as he lived just behind me and his family was not using it for anything for the time being. It had just enough room to do my operation and I thought I could make it work perfectly. In this time I constructed a new parchment hexagram, had a standing iron brazier or chafing dish, custom made. I also tried a few other experiments like Asterion Mage’s consecration and 9 day blessing ritual for the Hyssop oil for anointing my eyes and brows with; a very suitable and worthwhile exercise by my appraisal.

I must say I was fairly pleased with how everything was coming together and the new methods I was learning.
new hexagram design
Halfway through my days of purification, I became a bit worried as the garage needed to be tidied up and I was running out of time for getting it ready. Luckily, my friend and his family and I all came together and got it prepared in the nick of time. The very next day I decided to bless the “temple” space by doing an impromptu ritual which Dr. Lisiewski recommends in His HOWLINGS From THE PIT book. It involves taking 9 white unscented candles and placing them in the area of the 9 foot circle and during an aspersion ritual with holy water and prayers.   I also did some intense Middle Pillar type exercises and I incensed the entire chamber with church incense. For a closing, I decided to use the “Benediction of the Place” found in Ars Notoria: The Notory Art of Solomon:

The Benediction of the place.
“Blesse Oh Lord this place, that there may be in it Holy Sanctity, chastity, meekness, victory, holiness, humility, goodness, plenty, obedience of the Law, to the Father, Son, and Holy Ghost; Hear Oh Lord, holy Father, Almighty eternal God; and send thy Holy Angel Michael, who may protect, keep, preserve and visit me, dwelling in this Tabernacle, by him who liveth, &c”
.
 It was nice to see how much the atmosphere of a place could be changed after performing that work.
The Sunday before my operation I attended a local Catholic Church for Mass and received the Eucharist and underwent confession and gathered some holy water as well as stocking up on some more baptismal water which has come in handy.  I attended Mass once again, the day before my ritual and received communion one more time before undergoing my operation. The acknowledgement to the Catholic faith and ritual has been pleasant and interesting although I was not raised Catholic and the religion still feels somewhat foreign. I respect and acknowledge it for the origin of the magicians of the grimories among other things. I also became very aware of the passion for which the prayers can alter one’s consciousness when said with honest integrity and an open heart. Much of what their about use to seem completely outdated and somewhat disagreeable in ways but I found myself really reaching beyond the bare letters to what they desire:  Connection to divinity.


My operation was to begin at the twilight before Dawn which was about 5:1`8 am. The night before I went to bed early to get a bit of rest and ended up rising at 3:30 am for my ritual bath, prayer, and meditation before the ceremony. I then dressed in my white linen undergarments which consist of pants and a shirt of linen over my under-under garments. I loaded up the rest of my small important gear in the car and headed over to my friends long before the sun was up. No one was around and I appreciated the silence. My friend had given me the key to the garage to make sure it was secure, which I was happy about, since my circle tarp, candle sticks, altar table, and a few other important ritual equipment had been brought there the night before to make everything ready. Upon arriving in the garage/temple I arranged all the major furniture and folded my vestments and linen vesture in a neat pile near one wall. 

  I readied all the equipment through the chamber and lit the coals to have them ready by the time I began the invocations. 
   I owe a lot of success and the particulars of my methods of conjurations to Mr. J.K (Imperial Arts) whom I’ve molded my efforts of Goetic workings after. He mentions in his writings that he does not fill the room with incense smoke but rather gives it as an offering to the spirit AFTER its arrival. I haven’t quite been able to pull this method off and I vouched to incense the room thoroughly before evocation from the indication that the smoke does seem to have some correlation to the spirit forming its ethereal body and also from the Goetia’s direct quote which states: 
“The other materialls is [are] a sceptre or sword; a miter or cap, a long white Robe of Linnen, with shoes and other Clothes for ye purpose also a girdle of Lyons skin 3 Inches broad, with all the names about it as is about the uttermost round [part of the] Circle, & also perfumes and a chafin [chafing] dish of Charcoles kindled to put the fumes into; to smoke or perfume yee place appointed for action. also annoynting oyles to anoynt yr Temples & Eyes wth; & fair water to wash yrselves in. & in so doeing yu are to say as david said (viz)”  (Bold mine)
Here it sates the ritual area is intended to be incensed and smoked in and by itself, as a matter of course and before the actual evocation.
The main beeswax candle that made the holy lamp for my altar was lit first. ( if you plan on reading ANYTHING or writing down the spirit’s remarks or recalling questions, etc. you will NEED a light of some sort when doing evocations at night). It was pitch black in those early hours and the KoS style candle was an essential, practical item. (The 4 outer candles didn't quite cut it) I took a moment to connect to the divinein order to “get out of my own way” enough to let the bliss take over as I spoke. I’m still working on this but each time gets better.  was impressed by how well I actually remember the lengthy conjurations though and never tripped up once after reciting each a few times.

The conjurations took quite a few recitations to bring any sense of the spirit’s arrival around. During this time it can be extremely difficult not to let feelings of doubt and despair creep in. 

When the atmosphere finally changed, and by changed I mean the walls where the spirit was to appear sort of blacked out and seemed to vanish without any discernible parameters. I started seeing small sparks or rather small flashes of colored lights and a few streaks in my peripheral vision and the incense smoke seemed to condense into a thick wall. I was a bit confused however as the glowing smoke that seemed to collect near the triangle did not form the spirit as I expected it to.  At first the spirit seemed hesitant to arrive as if something was keeping it from fully arriving. After a time though I noticed a large shadow on the wall that came into sharper view and the shadow seemed to become more and more discernible as the seconds went on. I simply stood there staring at it as it did so. It looked as if it simply came off the wall and formed itself into three-dimensional space. The image, which at first was a dark silhouette, became an apparition of an aged knight riding a rather large horse. By “large”, I suppose I mean that it was life size and took up the whole wall of the chamber.  I guess I expect them to sometimes be more compacted and to scale of the triangle. It appeared as an apparition not like in the sense that I could see through it, but that it appeared as if I was looking through a thick fog or smoke at it (which in actuality I was, the Myrrh incense was pretty abundant through the room).
The knight Furcas  could be seen in profile and looked a lot younger and healthier than I remembered seeing it the first time. It/he sill had the long white beard and stern look but with more vigor in his face than before. The weapon thing he held in his right hand in a downward slant was an uneven, two pointed looking spear which I had not seen in the physical world anywhere (and I know my weapons). He regarded me with a brooding stern, yet patient expression and simply waited. I gave the Address, removing my new parchment eight inch “card” hexagram from a linen pouch I made to hang from my lion belt and held it up before the spirit.  At that time the knight dismounted and stood nearer to me within the triangle. I set the hexagram in front of my altar lantern and noticed how the glow of the altar lamp seemed to glow through the parchment so it could clearly be seen by the spirit in vivid detail.

I had chosen to contact him again after consideration furthering my progress with spirit contact and interaction and also at the suggestion of my magical colleague and goetic mentor, Mr. J.K. (Imperial Arts). A sheet of questions and a separate sheet for the charges were written out with a veritable sheep skin parchment seal that would be used for the contract, or if things got disagreeable, to be placed in the black box with sulfur and asafoetida
Taken probably 6 minutes after the ceremony's close


I had difficulty hearing the spirit’s reply’s to my questions and what it said to me despite asking it to “speak clearer and louder” which after a while I took to be some fault of my own. The spirit also seemed somewhat restless and I saw the darkened windows begin to gray with the approach of dawn before I knew it and found myself running out of time. I issued my charge to it regardless, the full contents of which I am keeping to myself. It seemed agreeable to the terms although I cannot say I feel completely satisfied with the clarity of the exchange. As it grew lighter I felt the atmosphere almost lifting on its own accord so I recited the license to depart and waited until the garage became, just an empty garage once more. I knelt before the table in the circle and opened my handwritten copy of the Goetic prayers and invocations to where I recorded

The Conclusion of the whole work, and Confirmation of the Science obtained.
“Oh God, Maker of all things; who hast created all things out of nothing; who hast wonderfully created the Heaven and Earth, and all things by degrees in order, in the beginning, with thy Son, by whom all things are made, and into whom all things shall at last return: Who art Alpha and Omega: I beseech thee though a sinner, & unworthy, that I may attain to my desired end in this Holy Art, speedily, and not lose the same by my sins; but do good unto [110] me, according to thy unspeakable mercy: who doth not to us after our sins, nor rewardeth us after our iniquities, Amen.”

This prayer is actually intended for the exercises and prayers of the “Ars Notoria: The Notory Art of Solomon” but it seemed fitting to add for my thanks for giving completed a goetic evocation to a degree and not being turned into ash or something. I also offered a prayer for my gratitude in being able to perform the rite. I packed up my ritual attire, feeling that the operation went well considering but still had a long way to go before I had any sense of mastery over this art. It was probably more humbling than anything but I did not have any precognitive feelings of dread or disorder thinking that the spirit had gained some sort of upper hand or something.


Taken soon after my completed ritual with my phone. I use the compass app to set my directions as accurately as I can.


With study and practice over the years, the Goetia, as given in the Lemegeton has really seemed like an “updated” operation from a magus who was intimately familiar and initially well versed in the versions from the Key of Solomon and also the Heptameron. With obvious connections between the three, the inclusion of the Goetic spirit seals, increased measures of protections like the Solomonic ring and notable lion skin belt of names, this magician seemed to procure have more of a buffer zone between the spirit’s influences and himself than given in the two aforementioned arts. In my view, these inclusions and modifications were made by a magician(s) who took the lot of their experience and knowledge from othersources to make it into a unique, albeit personal, workable art. 

Article 18

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Hey wizard. What’s your religion?


A few reflections:
 “Philosophy: Comparative Religions” was one of the most interesting college course that I ever had the pleasure of taking. That class along with Cultural Anthropology, my multitude of Psychology courses, Ethics, and a few others. The professor of the aforementioned course was one of those rare individuals whom you will never forget and will forever have the utmost respect and admiration for. She was over seventy years old and mentally sharp as a razor blade. She was able to argue intelligently and convincingly from any religious/philosophical standpoint and pretty much own a debate on all ends. She challenged me at the best points of my discussions, making me reconsider statements I made during class which I had the utmost confidence in.  I began growing a profoundly richer and more compressive view on what I truly believed, and more importantly WHY I believed. I was also able to release, change, and discard previous “truths” I held on so tightly too and was able to reexamine assumptions I had about the workings of the world. I have found that as I go on through life, I’ve taken the academic and scholarly skills I learned in school and have applied them to my daily work and experience. My wish for everyone is that they find those rare teachers who truly do make a difference.


One of the largest areas my comprehensive learning has changed would be my views of religion and faith. Before my college courses and further learning, I had already abandoned the position of being in the “Singularly correct and one true Christian faith”. I had been raised Methodist which may possibly be one of the “lightest” forms of the Imperialist Monotheistic religion. I actually enjoyed church growing up and engaged the minister after his sermons on points of the various sermons. Religion, faith, scripture, and ethics were never “boring” to me so I never accepted it as passive integration into my life. I actively embraced, pursued, and questioned it. However, by my early teen years, I was having too many personal experiences with the spiritual and supernatural to accept any religious dogma as being anything near “fact” or “Truth”.  Eventually after learning the history of my birth religion’s atrocities towards other human beings and faiths, I abandoned it altogether in search of something more agreeable.

I became quickly drawn to Celtic Druidism, (having skipped over the more popular Wicca and Witchcraft movement as being to erratic and popular-media driven) as it contained almost all the aspects I had been looking for and what I also felt intrinsically to be closer to a living “truth”. I researched and studied all I could on the subject, making some very close friends and contacts on the way. Shortly after, a “grove” was formed and I became an active member and leader within its small numbers. I experienced many rituals, gatherings, and events that shaped my life and to which I still hold a dear measure in my heart.  My “break” from this path was brought on more so by the people than the philosophy. I enjoyed the wisdom and abilities from a select few but found that many pagans were undisciplined and rather erratic in their approach to spirituality and religion in general. They were angry or dissatisfied with the mainstream religions or culture they were brought up in and still had trouble securing measures of success and balance in their personal lives. “Organized Pagan Religion” was very much a new concept and many groups disbanded not long after they were formed with the leaders often being people of unhealthy physical, social, and psychological standing. Unfortunately, our own group, like many, began being more focused on mundane, social activities and complaints about “The Christians” rather than doing our parts to make the world and ourselves better.

At one point I realized I did not require any specific social group to be convinced that I belonged or which I needed to feel imbued by others with some sort of esoteric importance. I vied to focus solely on personal development in magical and spiritual arts no matter what tradition or religion they stemmed from. Within the past decade or so I returned largely to the Western Esoteric systems of magic which are largely Catholic in nature. The irony of this decision was not lost on me and I found myself mending many broken ties with my former religion as well as having deeper appreciation for the Catholic Church which I previously held just above a level of contempt.


Few people these days will ask about my religion or what I believe, but when they do I will respond according to how I wish to steer the conversation. I will never lie or mislead intentionally but will typically not answer directly for a multitude of reasons. 

-If I were to give a direct answer, I would state that my “religion” is Magic. In saying this, one would have to understand what my personal definition and understanding of what “magic” is.  The word itself stirs up a multitude of images and labels in our society, even among practitioners. The essence of the word for me is the embodiment of my personal connection to the divine. It is the conduit through which real “truth” may be seen. When it works and is working well, I experience life, and the spiritual in stark clarity and expression. I integrate information and wisdom from a source beyond human relating and simple written words. I experience beings and energies that are dissimilar to any other involvement in the world. The whole spectrum of experiences and sensations that the practice of magic has given me makes up the closest thing I can have to a solid religion. Just like a reasonable Christian would see Jesus/God as being the focus of their faith and not “Christianity” itself, “magic” for me is not the object worshiped but the method, the practice, I utilize to worship. In my case the worship is geared toward whichever aspect of Spirituality I am focused on at that moment, which I all conceive of as being from a Creator who exists beyond the capacity of religious framework or human comprehension. By magical means I can connect to the current of vibrant and living archetypes, spiritual beings of great power and feel some measure of their influence.

Through my magic I can be okay in realizing that my perception and conception of the spiritual/divine is limited by my own psychological, cultural, social, environmental, and genetic variables. Though academic learning, study, and interaction with fellow magicians and thinkers I can appreciate the diverseness of experience and comprehension of the universe. Because of my magic, I can be okay with experiencing the unknown in a particularly unique and individual way because I am actually experiencing it. Through magic, I can study the techniques of priests, healers, seekers, shaman, and wise-people of various cultures and religions try their methods out for myself and see if I can experience a part of their own conception of truth or spirituality. Through magic, and faith in its origins, the unknown is not something to be feared and avoided, its something to be explored and sought. Through experiences by magic, I’ve learned that not all intelligent beings in the world, think and reason as human beings do which has caused me to be more humble and open toward events I don’t understand. 

By magic, I can immerse myself in the ecstasy of divine presence without any need of assistance from other human beings. Magic, is indeed my “religion”: The vehicle I use to experience divinity and understand the divinity within me. Through magic, other faiths are not only appreciated, but experienced. Anytime I am present to experience the divinity of nature, the words of truth from another falling upon my ears, while gazing upon the wonderful workings of art, expression, beauty, life in existence, it is magic. Magic is life, magic is constant and pervasive for those who can feel and sense it moving through them. It is beyond the frequencies of human comprehension and sensation, yet can enhance and strengthen each. Beyond any other sensation or physical experience, involvement in magic has taken me to the deepest levels of passion, and the highest states of spiritual bliss.


My view of the Druid, magician, or wizard still remains the same, even after all these years. Beyond the title, they are the ones who stand apart in their journey when compared with the multitudes of humanity and their pursuits. They are the ones who assist those in their community as best as they are able to with the seen and unseen goings on. They are the moderators between the spiritual and physical worlds; those who attempt to have the widest view from as many sides as they can see so as not to be blinded by limiting “human ideals”. Beyond right or wrong, they experience what they believe instead of accepting it from others. Hopefully they/we are the voice of reason when fundamentalists of any standing threaten to become extremists.
Despite the best of intentions and the highest of learning however, the magus will error in his assessments and judgment. We are human after all and cannot see all beyond the filters of our humanity. Even as we stand apart, we are put back in our place by the same works we seek to understand and often control. That’s why the wisest among us will wrap themselves in the mantle of humility and compassion.


Article 17

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ON ITS WAY


My Book has taken so much longer than I could have ever anticipated. It is nice to finally see it in the "UPCOMING" section on my publisher's web page. Visit NEPHILIM PRESS and look around

http://www.nephilimpress.com/forthcoming/

The book is to be offfically titled:


Gateways Through Stone and Circle

“A Manual of Evocation for the Planetary Intelligences"




A magical colleague and friend Inominandum, now has The Book of Abrasax published and for sale. I highly recommend his work. I plan on doing a review as soon as I read through the material
NEPHILIM looks to have some great magician/ authors up on their sight and I've been pleased with how my work and correspondence with them has gone. I'm very excited to learn of others who have begun experimenting with the art of Drawing Spirits into Crystals and are trying to conduct these operations in earnest. It seems a large surge of magicians are collaborating and sharing their experiences. I cannot wait to hear how this work will impact everyone who tried it for themselves!







 

The Black Handled Knife: Bane of Evil Spirits

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The Black handled knife: Bane of Evil Spirits





Traditional Greek/Cretan style black goat horn knife



   The reproduction, creation, and proper use of magical weapons have all been passions of mine for many years now. In the study of the grimoires I have enjoyed uncovering the similarities of various magical instruments such as the hazel wand, Magical/Solomonic Seal, magical vestments, and the magical sword. Within the genre of the classical traditions, I have poured hours into research, experimentation, and divination to find out which of these magical tools will best serve me in the operations I undertake.

 Usually, I follow the exact recipes mentioned for constructing and consecrating magical tools if I’m working from a specific grimoire.  A few of the magician’s tools, (such as the ones I mentioned above) however are described in countless grimoires with quite a bit of variation between them. Many other scholarly and practical magicians have written on the subject and shared their own creations and points of view on the matter. Their efforts along with notable girmoric authors and scholars have really paved the way for others to find what they are looking for with ease and clarity.


Illustrations of Solomonic magical weapons and implements



It probably doesn’t need to be mentioned that much of my research goes beyond simple academic interest and theorizing. I believe the ritual implements serve a necessary purpose and fulfill a specific function. In some instances they provide the necessary protection and defense against some very (possible) harmful situations and beings. In such cases it would be a rare occasion should one ever need to wield or use such a weapon beyond a cautionary symbol of authority. I try to err on the side of caution though, when spiritual interaction is concerned. It’s better to be more prepared than not in these circumstances.


As with the magical sword, the magical black hilted knife should be apprehended as a potent symbol of sever authority and obedience,- and possibly punishment for hostel spirits. It is most certainly connected to the harsher aspects of Saturn and Mars.The “modern” grimoires say to construct it is on the day and hour of Saturn. However, you’ll find that older Greek sources say the knife should be made on the day and hour of Mars. After going back and forth between my sources I propose one could try creating the dagger on one day and recon-consecrating it on another. Another idea would be to possibly forge the dagger on the day and hour of Mars and consecrating and adding and symbols or sigils on the day and hour of Saturn. 

The Hemlock juice mentioned as part of the forging quenching process is a poisonous plant associated with Saturn. As a leathal form of consumption, it  was known since ancient Greece and other lands to send man into the otherworld. The black cat which is found in later versions of the Key of Solomon, was to have its blood added to the temper of the metal as well.
 I’ve encountered mention of Greek and Roman ritualistic uses of knives of which I will expound on further below. I recalled earlier reading that priests would use a 'black handled knife' to cut turf and possibly the wood that was used for an altar (or sacrifice fire), and the ivory or white handled knife was used in the animal sacrifice.
There was also some mention that the black handled knife may have been more of a hatchet and would have had to be rather large and heavy.
Stylized "athame" black handle dagger with sigils done by Gary of OMEGA ARTWORKS

 Much of the black handled knife has already been written and blogged about so I’ll do my best to (hopefully) add some new information and ideas to the interested magician/grimorist.



First let’s take a look at the parts of the knife and how they are made: 

1.       Material(s):  

A finely made damascus steel knife with black horn handle. 
Steel/iron …forged….steel and/or iron will have many obvious connotations to power, weapons foremost, and war. Metal/Iron is sacred to Aries or Mars. It seems the handle that was most commonly used was bone/ ivory or a goat or sheep’s (black) horn. The horns of animals have been used since ancient times for tools and ritual implements. Horns are typically associated with power, strength, and a productive nature. The very forging of a blade is an interesting process; a work of alchemy and artistry. The violence and force needed to temper a blade by hand is enough to put the intent of the tool into action.

 I’m actually a rather snobbish sword collector and practice my martial art’s style of Iaijutsu and Kenjutsu (swordsmanship) in the Japanese tradition. I pay particular attention to not only how a sword is made but what types of steel(s) are used, and how the forging process is conducted. The melding, shaping, and combining of raw elements together is a sight to behold.

You'll find lore that the Fae, or Celtic spirits/gods/faery are known to dread steel and treat it as a bane to their existence. In fact all spirits, especially ones closest to the earth are weary of tempered steel and bladed weapons in general.

 In the excellent work, “The Magical Treatise of Solomon, or Hygromanteia (Sourceworks of Ceremonial Magic Series)”
 Ioannis Marathakis quotes Nikolaos Politis describing a tradtion from Messara in 1904:


“Somebody was going to Khrousa with a friend of his. In some place they stopped for a while and then they separated. The moment they separated fairies surrounded him and they were talking to him. He did not understand what they were saying, but he had heard that if one beds a  black handled knife into the ground, they leave. Luckily, he had such a knife, he bedded it into the ground and they left.”


2.      Design and symbols/Sigils:

Wiccan perspective meaning of the sigils
There are some correlations between the grimoires of sigils and words to be engraved on the blade and/or handle. Many are difficult to decipher and understand in any direct sense. There have been theories and attempts made by various scholars and working magicians. Many of the symbols or sigils look like corrupted Hebrew letters as well as numbers which may have been measurement notes in some cases. However, the few which look to be direct and intended magical sigils seem to speak of “separating”, “dividing, “scattering”, and “dispatching” whatever they happen to come in contact with in the spiritual and possibly the physical as well. The other sigils have references to Saturn and Mars. After inscribing various sigils and using the black knife, The sigils seem to denote the severance of energies which would work well for “cutting the line in the earth” for the circle to make an unbreakable, spiritual, barricade as well as divide any assembled spiritual energies back into the void.

3.      Mixtures, herbs, liquids, and prayers added:   

Now with occurring the blood of a black cat, (and no I don’t think it was “code” for something else.) Black cats are symbols of the controlled division between the worlds: Life and death, intelligent attentiveness and balance between the physical world and the world of spirit.  There is a humane way to obtain such an ingredient without killing or even really harming the said feline. Taking blood from people and animals is a common practice in the healthcare field but may take some practice and knowledge for any lay person. If available, I would suggest having a friendly vet or doctor do it for you and only take a reasonable amount so as not to cause the animal much discomfort. You can also purchase hyperdermic needles and go on YouTube and study online to learn how to extract the blood yourself if you wish. Obviously there is some risk to injuring the furry animal and I would suggest you obtain it from a cat you plan on having in your family or houshodl for a while. Magicians tend to likeor have cats, at least many do. Well I myself have a black cat. Seriously, not much “juice of Hemlock” and “Blood of black cat” is needed to absorb a sufficient amount within the chemical structure of the steel blade under extreme heat. You’ll get the needed mixture of molecules to have a very sufficiently “spiritually lethal” blade. Hemlock,is referring to one or two species of highly poisonous perennial herbaceous flowering plants in the family Apiaceae, native to Europe and the Mediterranean region as Conium maculatum, and to southern Africa as Conium.

Poisonous Hemlock was formerly used as a method of execution. In Greece, Hemlock juice was the substance the famous philosopher, Socrates ingested when he was sentenced to death. I caution the magus to be EXTREAMLY cautious if and when deciding to use this ingredient for your magical knife. There are no specific antidotes available for the toxin which is produced by this plant so you handle it at your own risk!
Overdoses can produce paralysis and loss of speech, followed by depression of the respiratory function, and then death. However, if you are still wishing to obtain this plant to extract the juices from, you can find them at the below websites:

http://www.herbalfire.com/poison_hemlock.htm



The creation or consecration process doesn't end there. Usually, the knife is  then blessed with holy water and/or run through sacred incense which has also been consecrated to magical workings. The item is kept safe in a wrapping of black silk.
Most ancient magical Greek texts that mention the black handled knife say it should be made from the horn of a he-goat. It is used to assist with making the pen, parchment AND the circle. David Rankine also mentions it was used in cases of divination, as found in in a Talmudic passage by Rashi (Rabbi Shlomo Yitzhaki)

The strongest argument and tradition supporting the make, appearance and use of the magical black handle knife comes from Greece and mainly the island of Crete. During my research I found that knife making is still a very proud tradition and the quality of knives that are made there are highly prized heirlooms and works of exquisite craftsmanship. The handles are still primarily made from goat horns and white bone.



Blades of CRETE:

On an Island south of Greece (practically between Greece and Egypt) is located a place of immense occult lore and foundation for some occult tradtions that are scattered through the grimoires, especially in its use of weapons against spirits.  The Island name of Crete can be found surfacing in a few occult references, Dittany of Crete” is an oregano type plant that was said to be beneficial for manifesting goetic spirits. The knifes which were manufactured in this tiny region were often of high sentimental value and personal worth. The blades would have poems and songs inscribed on them. They were used for defense and customary wear by betrothed or married Cretan women.


The Cretan Dagger in Manners. Customs and Popular Beliefs of Crete  (all information found on related website)

“The importance of the Cretan dagger's symbolic value in the social life of Crete survived even until recently.
 

From a semiological point of view, the dagger indicated to other men that the girl was betrothed or married and that she belonged to one and only man.

As a symbolism, it reminded the girl herself that she ought to be devoted to her husband and that the price she would pay for any infidelity would be her own life. However, in addition to its symbolic significance, the dagger also had practical value, because the young Cretan woman would be able to defend herself and her dignity when in danger.

For the success of the wedding ritual and the stable foundation of the new family, Cretan customs prescribed earlier that a small black - hilted dagger be placed on the bride's shoe before and during the wedding ceremony, so that the "spells" of those envying her fortune would not work.

Earlier, they used to believe in Crete that if the couple held a black - hilted dagger during the wedding ceremony, it would be able to counteract any "spells" that might have been cast on them aiming at the solution of the marriage.

Finally, after the wedding ceremony the newly - wed couple had to etch a cross on the threshold of their house with a black - hilted dagger, so that evil spirits would be prevented from entering and haunting it.

The symbolic significance of the dagger and its great metaphysical value in protecting humans against the fiendish powers of the invisible world and "ill - fated moments" was deeply rooted in Crete .

Tiny black - hilted daggers were used in manufacturing talismans for young children and talismans for protecting epileptics from the bad influence of the moon and the possessed from the pernicious influence of demons.

Furthermore, when a woman lost one of her children, she used to hang small black - hilted daggers with crosses etched on their hilts around her other children's necks as talismans, so that the Grim Reaper would not take them too. 


Engraved Cretan black horn knife


The Cretan Dagger and Magical Ceremonies

Daggers, always black - hilted, since black - hilted daggers were feared by the demons, played a leading part in the practice of magic in the sublunar world of sorcerers.

The sorcerer, master of love and hatred, in proceeding with his work of magic according to his wishes or those of the man or woman who had requested his assistance, used a black - hilted dagger in his spells and rituals of any nature.

In their effort to dominate over the powers of nature, to transgress against its known laws and to control the lives of humans with the help of demons, sorcerers used black - hilted daggers, with which they traced a circle on the ground and then poked it in its centre. Then they entered the circle and uttered some cryptic words and secret names. In this way they summoned the demons and ordered them, according to their wishes, protected from their malicious power inside the circle they had traced with their dagger. The dagger should not have been used in any other work before this procedure.

The tracing of the circle and the invocation of demons that followed constituted, according to tradition, the consummation of the sorcerer's magic skills.

The tracing of the magic circle with black - hilted daggers was exercised by the island's sorcerers mainly during their meetings with demons, called "davetia".

The most typical description of the tracing of a magic circle with a black -hilted dagger in Crete for obtaining a magic purpose is provided by Nikos Politis in his description of the instruction of the lyra - player by the Fairies, so that he would be able to play the lyra with great virtuosity:

‘Whoever wants to become a good lyra - player should go to an isolated crossroads at midnight. First he should trace a circle on the ground with a black - hilted dagger, then enter it, stay there and start playing the lyra. A little later the Fairies will come and start hanging around him. Their purpose is not good, they want to do him harm, but since they cannot enter the circle, which has been traced with a black - hilted dagger, they try to lure him out in every possible way. They use blarney, they sing him nice songs, they wheedle him in a thousand and one different ways, but if he is wise, he must remain calm and continue to play the lyra without leaving the circle. If they fail, they invite him out of the circle in order to teach him how to play the lyra better. He must refuse. Then they will ask him to give them the lyra. The lyra - player should give it, cautious to let his arm or other part of his body out of the circle, because it will be amputated or he will go insane.’

Then a Fairy starts playing the lyra with great virtuosity and afterwards they return the lyra to him, hoping that he will be persuaded to leave the circle and they will be able to harm him".

According to the description of Nikos Politis, the continuous interchange of the instrument between the Fairies and the lyra - player, without anyone of them passing the limits of the circle traced with the black - hilted dagger, continues all night long until the first cock crows. Then they ask him to give them something of his own and they promise to teach him how to play the lyra like them in return. The lyra - player usually gives them one of his nails and they in turn teach him how to play the lyra with great virtuosity and then disappear at daybreak.

For this reason, in earlier times, if a lyra player played his instrument with outstanding virtuosity, he used to say: "What do you think? I learnt to play the lyra at the crossroads".  "

Videos on The Style Greek blades




More Info on the history of the black hilted knife:





Finley made modern White and Black handle Cretan knives











Cretan dagger with engraved poem/song



Cretan daggers are steel bladed, one-edged, straight knifes with very sharp, thin points. Ancient Cretan daggers were double-edged and very ornate. Modern blades are more practical. The handle of the dagger is called the "manika." Daggers are made with three common types of manikas, the bird's beak, the V-shape, and the classic style of ancient Cretan daggers. Manikas are only made from animal horn (black goat horn), white bone or ivory. Cretan daggers are sheathed in highly decorated metal sheath of silver or gold. 
A small black hilted dagger is also used in the wedding ceremony during rituals intended to keep bad spirits away.

   Two separate grimoire illustrations shows stylized “split” handle section popular with greek/Cretan knifes and shows 

 






                   A Grimoric List of Variations for construction of the Magical Black Handled knife: 


Illustrations of the "Magical knife" or dagger in The Clavis or Key to the Magic of Solomon: From an Original Talismanic Grimoire in Full Color by Ebenezer Sibley and Frederick Hockley




1.    The Key of Knowledge (Clavicula Salomonis) Transcribed from British Library, Additional manuscript 36674.

A knife is required in this art, therefore make it be made with a handle of iron which is pure, and let it be tempered in goose blood in the day of Mercury [Wednesday], in the increase of the Moon. After it be finished, say ten masses to be said over it, and write upon the handle thereof with the needle aforesaid these signs which follow:
 
 Then perfume it as hereafter is appointed, and note that the circle be made with such a knife, this day lay it up in silken cloths until thou wilt work, and cut nothing with this knife, but only all things belonging to this art.


All other instruments of iron whatsoever they be, let them be made on the day, and hour of Mercury, and write upon them these signs following:


 


Also, see to the swords wherewithal you will work, that they be clean, and write upon them as followeth: lamec, Theah, Aniles, Theophilos, Def, Beth ladomay, El, Ja, Jah, Emanuel, Saday, Emnanal, sum qui sum, Agla, ALPHA & OMEGA. Write this with the ink aforesaid, and smoke them with the odours, and say this conjuration:

I conjure thee by the names, Abraham, Abraho, Tetragrammaton, which is to say, Aglane, that thou hurt me not in work. I conjure thee by pure, Stimulaton, and by these unspeakable names of Almighty God, which are: Egyrion, Osystron, Enona, Aula, by Asyn and by Manalo, Emanuel, Sabaoth, Adonay, primus, nouissimus, vnigenitus, Via, Vita, Manus, hono, primogenitus, finis, Sapientia, virtus, a. Caput, verbum, gloria, splendor, lux, Sol, Imago, Mors, Janua, Petra, Lapis, Angulus, Sponsus, pastor, propheta, Sacerdos, Athanatos, Ysyon, Pantacraton, Jesus, Halleluia; by these names, and all other names; I conjure you, that you have no power to hurt me.

Which done, let him keep it as before is said.
Besides this there must be made another knife in the day and hour of Mercury, tempered with the juice of pimpernel, and the bloode of a goose, upon the which you shall cause three masses to be said. Also, you must perfume it and sprinkle it with water as is aforesaid, with which knife, all thinges necessary must be cut. Note also that before any of these things be consecrated, that they be virgins, that is, such as were never used in work or labour.



THE KEY OF SOLOMON BOOK II
edited by S. Liddell MacGregor Mathers

Traditional Black handle knife reproduced from the image found in Mather's illustration made by my friend Gary of http://www.omegaartworks.com/

But as for the knife with the black hilt for making the circle, wherewith to strike terror and fear into the spirits, it should be made in the same manner, except that it should be done in the day and hour of Saturn, and dipped in the blood of a black cat and in the juice of hemlock, the characters and names a shown below being written thereon, from the point towards the hilt. Which being completed, thou shalt wrap it in a black silk cloth.
  

variation of sigils 1

Variation of sigils 2

Let him make a knife, of the form following, of Iron andamco. With a white haft of Ivory yt is tempered in the bloud of a goose and the Joyce [juice] of pimpernell, and let it be made one day & his howre in the augment of ye and fullfill from the first howre to ye 13th howre, and when he is made, cause to be songe over him x. masses. And write over (?) cinabrig conjured upon his hast, eyther with a needle or a poyntell of Iron, of such as followeth, of a needle, with this figure

Notice the suggested size and shape for the black knife here. Worthy of what is described in the Grimorium Verum.
Black and White handled knives from the "Veritable Key of Solomon"


Sloane 3847. The Clavicle of Solomon, revealed by Ptolomy the Grecian.

It is necessary in operations of artes or experiments to have swordes and knifes and other Instruments of the which circles may be made, and other necessary operations,
[48v] Let him make a knife, of the forme following, of Iron andamco. With a white haft of Ivory yt is tempered in the bloud of a goose and the Joyce [juice] of pimpernell, and let it be made one http://www.esotericarchives.com/gifs/mer3.gifday & his howre in the augment of yehttp://www.esotericarchives.com/gifs/lun3.gifand fullfill from the first howre to ye 13th howre, and when he is made, cause to be songe over him x. masses. And write over (?) cinabrig conjured upon his hast, eyther with a needle or a poyntell of Iron, of such as followeth, of a needle, with this figure 






and fumigate him with fumigations as followeth, with such a knife as the circles should be made with, if it be greevous for you to make such a knife, finde some knife of the foresaid fashion, with a haft all white or all blacke, and write upon manicu~ or haft the foresaid wordes, after the mañer aforesaid of that knife, and upon the plate begiñinge from the poynt, write with encausto conjured, Alpha et omega, agla, Ja, el, ou, premeumaton, syrnel, afrnel, and cause to be sayd over this knife [49r] 3 masses, one of the holy ghost and 2 of our Lady and fumigate him, with the fumigations followinge, and blesse him with water as followeth, conjuring sayinge, in nomine patris filii et S. Sancti Amen, and put him in a silke cloth, of such as followeth, until ye will worke, and of that knife let the circles of artes be made, and with that knife, let things necessary to the artes or experiments be cut, likewise let Artanus be made, but they neede not to be put in any operation, Let other Instruments of Iron, or staves, or rodds excersised in artes or experiments be consecrated, on that mañer, if they be InstrumtsLet them be made one Mercurydayes and his howre as it is said of ye knife, and Arthano, and let these that followeth be written upon them, 
( Here we have some obvious references to the word that would later be called "The athame")

  

if they be staues or rodds, they ought for to be virginall, of whatsoeuer wood they be, & cutt of at one cut, with the knife aforesayd, in the howre of Mercury, and let the foresayd carecters be written upon that rodde, with such Inke as followeth then say ouer that rodd these wordes,
Adonay sanctissime et potens, tetragrammaton, fortissime, Saday, potentissime, adestote, et consecrate virgulam istam quemadmodum [49v]convenit per te sanctissime Adonay cuius regni noterit finis per omnia secula seculorum Amen.
Then let him be put in cleane place untill ye worke, swordes be necessarry in artes or experriments, take the swordes that ye worke withall after the manner followinge let them be scoured, and cleane from the first howre of http://www.esotericarchives.com/gifs/mer.gifunto the xii howre, and let these wordes be written upon his syde,
Lamec, Sidac, Cethag, Cheah, anilos, theodomos, theophilos, persidonos dif, chech, hech, ladomay ely elyol, ysyh, elya, Iach, emanuel, Saday, emuanas, nazarel, sum qui sum, alpha et omega
with cinobrio coniured, then let him be fumigate with fumigations followinge,
Arthanos is made one Mercuryday in the augment of the moone, and let him be tempered in the Joyce of pimpernell, and the bloud of a goose, and 3 masses songe ouer him, and be fumigate with such fumigation as followeth, and let them bathe them with such water as followeth, of water and Isope, of the which arthano ought to be cutt all necessary thinges to artes or [50v] experiments, and of him must the circles be made, about testas of the fumigations, and that is the dewty of this artanus, likewise let the swordes and spheares be consecated [sic], that they be new and virgin Iron, and never occupied in any worke, for if it were made otherwise, it would not profit.
 

The Black hilted knife for cutting hazel making circle and pinning down demons . “That with the black handle, destined to describe the circle and intimidate the spirits, and for performing other similar things, must be made in every respect like the first, except as regards the day and hour, which should be those of Saturn. The steel should be extinguished in the blood of a cat 3 times and the juice of hemlock, while the handle should be of sheep's horn.”





Grimoirium

Verum

or

The True Grimoire

The Most Approved Keys
of
Solomon, The Hebrew Rabbi


Of the Magical Knife.
It is necessary to have a knife or lancet, of new steel, made on the day and hour of Jupiter with
the Moon crescent.
 ( This is curiously unique to the grimoire indicating the knife be an implement for authority and success. Most likely the “crescent moon” in question is when the moon is waxing but not quite half.)
 If it cannot be made, it may be bought, but this must be done at the time, as above. Having achieved this, you will say the Orison or Conjuration following, which will serve for the knife and lancet.

Conjuration of the Instrument.
I conjure thee, O form of the Instrument, by the authority of our Father God Almighty, by the
virtues of Heaven and by the Stars, by the virtue of the Angels, and by the virtue of the
Elements, by the virtues of the stones and herbs, and of snow-storms, winds and thunder: that
thou now obtain all the necessary power into thyself for the pefectioning of the achievement of
those things in which we are at present concerned! And this without deception, untruth, or
anything of that nature whatsoever, by God the Creator of the Sun of Angels! Amen.

Then we recite the Seven Psalms, and afterwards the following words:

Dalmaley lamekh cadat pancia velous merroe lamideck caldurech anereton mitraton : Most
Pure Angels, be the guardians of these instruments, they are needed for many things.

The Sacrificial Knife.

 ( Again, the Verum is ubnique as this is most likely the “black hilted” knife but is NOT the one listed above which is used to make the circle with. In most other SOlominc texts, the black handled knife is the one that enscribes the circles)

On the day of Mars [Tuesday] at the New Moon, make a knife of new steel which is strong
enough to cut the neck of a kid with one blow,
 ( Here a large knife or machete or clever type blade is suggested and would be practical in “cutting the hazel rod with one strike”. A small knife would not be able to serve this function properly and also a large knife would be easier to inscribe a circle on the ground with.)
 and make a handle of wood on the same day ( The type of handle suggested here is most likely hazel nut as well) andin the same hour, and with an engraver you engrave on the handle these characters:





And the sigil Bechaud:

 


Engrave or write on the blade AGLA. Then asperge and fumigate it, and you have prepared an instrument for service when and whereyou wish.

Large Greek/Cretan style Black Horn "knife"apropriate for the Verum Sacrificial knife.
The Sacrificial knife is meant to slay the goat for the spirit that is to be summoned, as well as to make the parchment for the art by skinning it after. This may seem barbaric to some at first but echoes strongly the earlier Greek and Hebrew practices of animal sacrifices. Interestingly though, as I mentioned, the sacrificial knife is the same one used for cutting the wood of the hazel rod, but NOT marking out the circle with. The suggested size and ability to kill and cut “in one stroke” makes it a formidable and more effective weapon however.
 


 








My KNIFE  

My favorite Black horn handle knife to date before its engraving and consecration


 So what do I use? Well the above was my knife before I fancied it up. I decided to refrain from displaying a current image of it at this time for personal reasons. I will say this. I opted for using a collaborating source of sigils stemming from The Key of Solomon Aub24 and using the preperations dictated by the text. I also experimented reconsecrating it if you will on auspicious Saturnine times as well as during Martian days/hours. Forming circles with this weapon out of doors is a very powerful gesture. I admit I do not typically use it in dealing with spirits for the severity and harshness it represents. However I am never worried about a spirit daring to stand against it. 

The way in which I wil use this knife in abroad, begins with unwrapping it from its black silk, saying a prayer over it that I used during its consecration and I chat vigeriously the prayers found in the KoS while marking out my circle. If I also have my hazel wand or magical sword, I will almost always stab it in the ground within my circle before I begin my conjurations. This has felt "right" and a powerful sealer to my circle. (examine the "conjurer picture illustrations in esoteric archives) 

My disposition toward spiritual entities of all sorts has evolved and changed over the years and I find I am less and less likely to threaten and demand in a harsh manner as I wish to learn and form respectable relationships between myself and the denizensof the spiritual world. Regardless, I am awarrior as much as a magician and I take nothing for granted and realize my best intentions are not always considered by supernatural beings. The black handled knife is a reminder of my capabilities...






OTHER EXAMPLES OF the magical knife and its uses:

African style ritual dagger

There are a few cultures I’ve studied who utilize a dagger or knife in a ritualistic way concerning spirits. You will find many similarities between Cretan and Indonesian knives in their composition, make, and use. The Indonesians make many blades with black horn handles in similar styles that you find in the grimoires. The kris is a highly prized knife of reputed magical power. In some circles and weapon’s experts it is seen as the most magical and effect knife in the world. For my tastes, if I cannot make the knife myself, I prefer it be made by a person of a culture and disposition where magic is vibrant and the lineage is inherent with mystical tradition and intention. Forming a relationship with a  knife maker or artisan is a great way to have one made but their disposition toward magical arts might be a deciding factor depending on how much you inform them of your intentions.

 
Richard P. H. Greenfield in his 
"Traditions of belief in late Byzantine Demonology" describes some various uses for the “magical knife” and more specifically the black-handled knife in exorcism. The knife was plunged into the heart of a tree when calling upon that tree's spirit to work with the magician. And again, whilst and exorcism was being carried out on a person laid out on a table, the knife is plunged into the table to fix or hold the spirit once it was brought out of the
person.

Phurba or more properly, kīla (or kīlaka)
 
To work with the spirits and deities of the earth, land and place, indigenous people of India, the Himalayas and the Mongolian Steppe pegged, nailed and/or pinned down the land. The nailing of the kīla is comparable to the idea of breaking the earth (turning the sod) in other traditions and the rite of laying the foundation stone. It is an ancient shamanic idea that has common currency throughout the region; it is prevalent in the Bön tradition and is also evident in the Vajrayana tradition. According to shamanic folklore current throughout the region, "...the mountains were giant pegs that kept the Earth in place and prevented it from moving." (Kerrigan, et al., 1998: p27) Mountains such as Amnye Machen, according to folklore were held to have been brought from other lands just for this purpose. Stupa (compare cairn) are a development of this tradition and akin to kīla.

As a tool of exorcism, the kīla may be employed to hold demons or thoughtforms in place (once they have been expelled from their human hosts, for example) in order that their mindstream may be re-directed and their inherent obscurations transmuted. More esoterically, the kīla may serve to bind and pin down negative energies or obscurations from the mindstream of an entity, person or thoughtform, including the thoughtform generated by a group, project and so on, to administer purification
As Müller-Ebelling, et al. (2002: p. 55) states:
The magic of the Magical Dagger comes from the effect that the material object has on the realm of the spirit. The art of tantric magicians or lamas lies in their visionary ability to comprehend the spiritual energy of the material object and to willfully focus it in a determined direction. . . The tantric use of the phurba encompasses the curing of disease, exorcism, killing demons, meditation, consecrations (puja), and weather-making. The blade of the phurba is used for the destruction of demonic powers. The top end of the phurba is used by the tantrikas for blessings.”


“In the Kathmandu Valley, the kīla is still in usage by shamans, magicians, tantrikas and lamas of different ethnic backgrounds. The kīla is used particularly intensively by the Tamang, Gurung and Newari Tibeto-Burmese tribes. The kīla is also employed by the Tibetans native to Nepal (the Bhotyas), the Sherpas, and the Tibetans living in Dharamasala.”

Black horn knife Indonesian style







Origion of the “Athame”
Finley made double sided, black handled dagger

 
"t\The Key of Solomon show considerable variability in labelling the ritual implement in question, but the oldest and best Latin and Italian manuscripts read "artavus" (penknife.) The English mss. Sl.3847 reads arthanus or arthany. The French manuscripts read artave, arthane, arthame, or athame. Other variations include arctavus. The variability is easy to explain: Artavus is a Medieval Latin term, not found in most dictionaries. It is clearly described by Du Cange
as "a small knife used for sharpening the pens of scribes."–Joseph Peterson 

One of my first Magical Daggers or "Athame" equivalent. The handle is 5000 Irish bog oak.

other magical knives/daggers in my collection




-Available for the interested magician:  I am offering a few of my select prized blades that I’ve collected over the years in honor of the mighty black hilted knife. Each one was handpicked and selected for its materials and uniqueness and also for it’s seemingly predisposition toward magical work. The blades have each been modified and/or worked with in some sense with spiritual entities so they will not be virgin in any case if that is one of your concerns. 


A look of magical knives I've collected over the years

However I can attest that each works for its intended purpose and should do so regardless of my previous handling. I am also offering some custom fashioned IRISH HAZELNUT WANDS which where personally hand made, cut, and sealed with a mixture of consecrated hazelnut oil and hyssop oil.




    For the time being I am not listing these implements up on auction and will not be listing prices here. If anyone is curious in any of the aboce items, contact me adn we will work it out from there. 
 
Sources:

Joseph Peterson's The ESOTERIC ARCHIVES classical works of Solomonic Magic: http://www.esotericarchives.com/

The Clavis or Key to the Magic of Solomon: From an Original Talismanic Grimoire in Full Color by Ebenezer Sibley and Frederick Hockley

The Magical Treatise of Solomon, or Hygromanteia (Sourceworks of Ceremonial Magic Series)
by Ioannis Marathakis

http://stigmes.gr/br/brpages/articles/kritiko%20maxairi.htm

Google: "taking blood from cats" - you tube.

Wikipedia 

 The Veritable Key of Solomon -Stephen Skinner and David Rankine

The TRVE Grimoire by Jake Stratton-Kent














































Article 15

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My book promotion video was finished at the start of the new year. I'm just hoping the actual book will be ready in time.


Article 14

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ATTENTION! 
-A reserved list has been created for the long awaited-

            Gateways Through Stone and Circle
                “A Manual of Evocation for the Planetary Intelligences"




-If you would like to reserve a copy which will be available around the first of April, 
enter your name and email in the
PREFERRED CUSTOMERsection on:


in order to receive current book releases and news for when the book is available for order. Each person must enter their own info in order to receive their reserved copy.

and specify if you would be interested in a fine leather-bound edition (limited to 12), basic leatherbound or the standard cloth-bound. -

More info on the book bellow or go to

http://www.nephilimpress.com/forthcoming/

"Gateways Through Stone and Circle” is a compendium of personal experiences and research from a traditional ceremonial magician working through a classical book of magic. This volume is a complete and in-depth study in the “Art of Drawing Spirits into Crystals” as found in Francis Barrett’s, The Magus, and accredited to Trithemius of Spanheim. Detailed research, personal experimentation, and evoking each of the seven planetary archangels and intelligences to visible and auditory presence are presented within. You will find descriptions of the seven planetary archangels as witnessed by the author, instructions for building each of the traditional implements and furniture to the specifications of the grimoire, as well as detailed illustrations of the author’s actual equipment. Items such as the infamous Book of Spirits or Liber Spirituum are explained in detail so the reader will know how to make and use one. Chapters also describe methods for improving scrying abilities, working with a partner, and conducting the entire ceremony from beginning to end. Everything to make this art work is explained in incredibly vivid detail.

The purpose for this book is to present a workable manual wherein the aspiring magus can replicate a valuable system of magic to achieve successful and reliable discourse with some of the most powerful beings in the cosmos. "No other book has unveiled how to perform this experiment successfully within the traditional manner." This work is not a theoretical analysis of a historic manuscript from an academic scholar, nor is it based on presumption and guess work. It is a modern day grimoire from a traditional grimorist. It is drawn from one who has been studying and practicing Western occult magic for nearly two decades and has recreated the procedures that achieve results. The methods contained within are constructed as closely to the original text as possible and filled with suggestions and points to assist the beginning magician as well as the advanced practitioner.

The author decided to add more material to the book after his test audience made some suggestions. The book is scheduled to be released at the end of April of this year.

Book by Frater Ashen F.:N.:F.:







From what I’ve been told by my publisher there will be two or three different editions available: 

-A Select number of twelve copies will be made bound in fine calf leather with silver gilt accent leaf and other features which will be the collectors grimoire.These rare tomes will  be selling for $350-$500.

-The next will have leather binding and accents that will be around $150.00

- The fine cloth bound, hardcover standard editions will be under or around $60.00. 

The prices are based on estimates I was given and of course will ultimately be determined by the final format and materials used, etc. For those who are interested in the fine or any other editions, enter your name and email address in the Preferred Customer section on:



To Ban or not to Ban?

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“Too Much Banishing”



This was interesting topic which was brought up in Aaron Leitche’s Solomonic Group http://aaronleitch.wordpress.com/, and one we hadn’t touched on for a while.



“Banishing” became a staple of western ceremonial magic with the majority of practitioners at the time coming out of one of the main magical lodges associated or branched off from the Golden Dawn. Even witchcraft’s “creating sacred space” is a heavily influenced concept from these same lodges.



 Interestingly enough the more you get into historic forms of traditional magic there is very little “banishing” done, especially as a routine -after and before- procedure. A traditionalist mage myself many might find it ironic that I am not altogether against this


theory and practice established and encouraged by the Golden Dawn. Perhaps it’s because I underwent the suggested daily and nightly practices myself and acknowledge that undertaking as a building block of my own ceremonial practices. The ritualized gestures, divine names and concepts still hold enough potent meaning for me to be useful. However, you won’t find me using them before, during, or after a spirit evocation which would seem odd to many CM’s I’m sure. My tolerance for ritual "banishing" may also be influenced by the fact that Western Ritual Magicians were commonlypriests and clergymen if not highly religious individuals who worked with spirits on very strict standards and never formed "buddy-buddy relationships or treaties with them. Evocation was a serious experiment and done with caution and the authority of God.



The Solomonic forum mentions various arguments against banishing and some that make excellent points. I agree with the ones I read which stated many magicians prematurely severed developing spirit relations with an over use of “banishing” internalized rituals once the uneasy sense of a spirit was actually recognized. Persons unfamiliar with such phenomena naturally experience the “unnaturalness” or at least unfamiliar sensations that go along with a veritable encounter and may all too swiftly determine them as “bad” or “negative”. 


(This magician suspects that a vast majority of aspiring mages expect the sensational safety of a Disney ride when working with spirits)



The truth of the matter is I still practice the LBRP and LBRH fairly frequently but have realized their benefits are for different reasons than what is typically attributed to them. When I conduct these particular rituals, (at least with the Kabalistic Cross) any “banishing” that occurs is more so within my own being than directed toward any “nasty influencing spirits” which may exist outside of myself. Early on, the practice became an energetic centering and reintegration within the sacred sphere of divine action. They are typically coupled with the MP exercise as well as other forms of prayer and meditation congruent to the energies of the aforementioned rituals.



Granted, any spiritual intelligences which would find the gestures, tools, and names of the aforementioned rituals unappealing may very well vacate the area, but it has not disturbed the familiar working presences within my own abode. A mage’s intentions while conducting these rites may have some influence on “external reactions” as well. For myself, a silence and clarity typically expands in my head afterwards which makes communication and interaction with spirits easier. Again, it seems to be a practice centered within my own consciousness and sense of perception rather than forceful clearing of an area. My apprehension of the drawn pentagrams in space are not necessarily for the removal of astral influences from the plane of earth but rather the severing of disjointed mental/astral distractions brought on by my own mind from the physical axis of my foundation.



When I wish to severely banish or rid a spirit of a person, place, or thing which is a very rare case (three times to the degree I am writing about in my magical career) I will use methods of no subtle means. It typically involves the strongest incantations I can muster with additional salt, iron, lead, brass, curses, washes, burning, and censing. Refer to the Greater Curse or spirits chain of the Goetia for extreme case examples. My reasons for these harsh methods are only brought about by circumstances where I feel a real danger or threat.  I will only resort to such action when I am unable to nullify substantially harmful spiritual threats by any other means. Let me be clear in stating that I am not of the school of thought which forms buddy-buddy relationships with goetic spirits or beings of questionable influence but am similarly not hostel toward them or assume them to be creatures of inexhaustible ill intention. Indeed the full spectrum of spiritual beings has its rightful place and purpose quite beyond my own comprehension.



In cases where human and spirit simply cannot coexist harmoniously within a certain area, I will usually try to find a suitable destination that the spirit will eventually and hopefully find more agreeable. I have run up against some stubborn cases before but have not resorted to threats or punishments. Perhaps ironically, this was due mostly to the assistance of other spiritual beings who understood the situation far better than my perceptions allowed.




In my ongoing development of networking with spirits and fellow magicians alike, I am continually reminded of how much of a diplomat and ambassador I’m turning out to be. Not necessarily a great one in either respect but how the training and lessons seem to fall along those professional lines. Proper, communication and exchange between foreign parties of dissimilar background is a continual effort of refinement. The perks make the efforts worthwhile and the drawbacks are undeniably frustrating.  A magician cannot hope to gain report with any manner of spirit if they are so quick to dismiss and command them at leisure. However they will quickly lose defining meaning of exchange if a spiritual or tradition based “road map” is not integrated within their manner of communication. Cultures, beliefs, and philosophies differ on the methods of spirit diplomacy and interaction. Those who seem the least effective in either are the ones with no sense of structure or connection or try to pick and choose on a whim.


Thoughts arise as to the nature of the transference of energy from place to place as a magician moves his residence to another area to another house, and possibly a vastly differently climate and geography. Since I feel I’m arriving at that point soon myself (although the climate will doubtfully be noticeable), I wonder at the about the subtle and dynamic spiritual encounters which were encouraged by the genius loci of my current residence. What will come with me and what will be left behind? How many spiritual beings were drawn to my workings and have more or less taken up permanent residence there? How much of a clearing I should do if any, as a responsible magician so as not to (possibly) frighten the next set of people who move in after my family and I have moved out?

This will not have been my first move while seriously conducting such practices, but it will be a move after my most recent and intense experiments I’ve ever experienced thus far. Tactically present relationships have been formed and ongoing for some time. Although most are by no means bound to one space or location, I‘m certain a number of them are. It’s the first time I’ve ever had a set chamber for conducting nothing else but magical workings. The room itself has a VERY distinct atmosphere and presence which never seems to lessen. Some very intense experiences, very potent items and books, are all kept there under ward. I’ve often wondered if something will linger (and to what degree) and how long after or quickly it will fade if I don’t personally do anything to remove what was built up in that space?? Despite some issues of abandonment or some sense of dislocation from spirits who may find the change of residence not to their liking, I will most likely assure the space is “deactivated” to the best of my ability despite any linger curiosity. However the very thought stirs something unease within me after the years of discovery.

A smile crossed my face as I recalled how my wife was looking at every single house as needing a magical room space adequate enough for my workings. I was amazed and complimented her thoughtful understanding on this but she considered it as a matter of course, just as important as a house needing a living room for instance. Much of my magical life is still concealed from my visible, public life so it’s easier to reflect on the pleasant humor of such striking differences a magical house hold has.

Magic is everywhere. Some places seem more active than others, and the true sense of power resides within the soul-mind of the magician and his/her connection to divinity. However, any magician of practiced years will acknowledge the presence of potency within objects and places continually used for arcane endeavors.

Ritual magic is a symbiotic weaving of interconnecting energies and intelligent patterns which extend beyond the conscious apprehension of the initiating mage. Any act in magical intention sends information frequencies along countless subtle lines of creation. Fledgling magicians who think their imaginings and actions through rituals began and end inside their own mind, are fooled by their own thoughts.

All relationships, subtle or profound should be acknowledged and given conscious appreciation if not notice when circumstances are altered. Magicians excel with their sensitivity to the subtly of the unseen world, not a distracted indifference to it.



Article 12

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Reflections on the Great Archangels


As My Book GATEWAYS THROUGH STONE AND CIRCLE approaches its final stages being put into physical hard backs for readers to enjoy I reflect on the true magnificence of the subject matter. The work is ongoing for me, the experiences always new, humbling and fresh. My day today existence within the overwhelming uncertainty of the world causes me to marvel at the reality of their existence.

The Planetary Archangels exists as a veritable phenomenon beyond their attributed archetypes as transferred through the Greek and Babylonian concept of celestial humanoids. My continued experience with them has me often musing over the associated mythology and attributed persona. I wonder: How much of their appearance and interaction would be the same had I known nothing of their fabled attributes?The angel’s systematic attachment to the luminous bodies of the galaxy are all but ludicrous to most astronomers and astrophysicists. Yet there is a dynamic connectivity and influence between humanity and all movements of creation whether terrestrial or celestial if one truly observes. The precise nature and machinations of these subtle energies have not been comprehended entirely and are inevitably colored by the cultural. social, and archetypical framework which the perceiver functions within. Their subtlety is only apparent to the loosely sensitive or learned to the laws of hidden workings. Beyond inaccurately attributing a set personality and image to a nonphysical being, the wise men of our heritage have brought immeasurable forces of our universe in to close, intimate contact.
The above concepts are never lost on me in the moments leading up to angelic evocation, nor after the incredible encounter has subsided into reflection. However the encounter, no matter how incredible, is always profound and moving to my very core. There is no question or logical conflict of possibilities and interpretive experience while in the midst of magical experience. -The being appears, speaks; the measure of reality is capsized by the few moments of exchange which goes far beyond the bare words and gestures. There is no perfect explanation of ‘how’ this actually occurs. The fact that a culmination of physical, emotional, psychological, and spiritual elements are involved is undeniable. There is also a certainty that much more is occurring than even the beholding of a normally invisible presence. Somehow, I am reconnecting to the immeasurable forces of totality and instead of trying to observe them accurately and subjectively, I am an active participant, functioning perfectly in harmony with all that ever was
To stand in a sacred vestment of intentional design; to move with precision of powerful gestures and speak words that resound with the passion of creation, to feel the hum of patterns of energy that extend from the depths of mind, mouth, and magical intention. To feel implements in hand which were created with patience and purpose, come alive with the light of the nebulous strands that bond the material to the ethereal. To see and inhale the incense tendrils which course through the once empty space that is now becoming the very gateway to hidden worlds. -To sense my being slip from the practiced routine of ritual into the divine light of active creation in connectivity and come face to face with a presence that my conscious mind will continue to argue CANNOT exist, even after countless experiences –is the sacred treasure of the ceremonial magician. A gem of a experiential breakthrough that releases the lead weights of physical depression caused by illusion. A pure ecstasy of experience which has no other substitution. No other endeavor would propel me to take on such GREAT WORK beyond the absorbing labor of my day to day life.
There is only a fear imagined which would be a separation from the continued involvement in the world of hidden voices and illumined faces. That I may share this with others or encourage them to experience their own breakthrough is a joyful prospect of simply repaying a morsel of the blessings I’ve received.

Article 11

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HERE IT IS!

And this time I really

mean:
HERE it IS!





< Finally >

 I haven’t bothered to look back through each of my postings to see just how MANY I’ve made concerning the release of my book.
(I don’t want to look) It feels like ….well too many.

 I don’t think anyone was more eager than I to actually see it come into physical being. Quite a few of you have eagerly been awaiting its release as well and apologize for the many, MANY delays. Hopefully there are none who have been standing by to begin their experiments into DSIC until its release.

Regardless I am very excited and pleased to present to you the standard edition of Gateways Through Stone and Circle

which can be ordered here:

 http://www.nephilimpress.com/store

-Fine leather bound editions to be released sometime next month.-




Besides announcing its long awaited release, I also wish to acknowledge individuals who really brought this work from its early stages to the finalized form seen on Nephilim Press’ website.




Besides the exciting journey to becoming a first time published author, the creation of the book was an experience of connecting and acknowledging other acclaimed and/or published magicians who deeply inspired me in the creation of the book. Most are well known adepts, authors and teachers in the magical community.

Mentioned in the actual texts are members of the Gentlemen for Jupiter which spearheaded my interest to explore this particular text of “DRAWING SPIRITS INTO CRYSTALS” 

Frater Rufus Opus http://headforred.blogspot.com/is to be acknowledged foremost for his inspirational Planetary Gateway series and open sharing of his experiences and workings. He is a well-respected magus and introduced me to the other founders of G4J

Magus Aaron Leitch’s works, personal feedback, and fine example he and his wife demonstrate as ‘Magus-scryer’. http://aaronleitch.wordpress.com/
Many other scholar-magicians assisted with the book’s developments that are not directly named in the text:

Huge thank yous go out to Mr. David Rankine http://occultofpersonality.net/david-rankine/, Stephen Skinner and Mr. StrattonKent for their encouragement over email and feedback to improve and expound on the MS's early stages.
David especially was very generous with his time and continued advice for getting my work published.

Adept Michael Cecchetelli http://thelionsdens.blogspot.com/ was paramount in Gateway’s publication. His support of my work and communication to Nephilim Press made this book possible. It was an unexpected blessing to receive such brotherly assistance from such a successful author.


To Asterion Mage http://solomonicmagic.blogspot.com/, an enormous amount of gratitude goes out to him for his phenomenal job as illustrator. I have always admired his inspiring artwork and dedication to exploring Solomonic Magic with scholarly precision, so getting to work with him on this project was a sincere pleasure. I was able to share my visions with him and have him duplicate it with knowing skill which made the work come alive.
 



I am continually grateful for my longtime friend and talented scryer Mr. “Strider” Willman for his review of my book and obvious contributions to the continuing experiments.

I am proud to recognize my singular student in this art, Mr. H. M. with his masterful feedback, and dedication to conducting the traditional experiments with precision and exquisite detail. He is the exemplary magus and student of the occult. His experiences and development using the content of the book has given me faith in its ability to empower others to experience similar wonders.

Many other friends in the magical community assisted with its review and editing and I am grateful for all of their work and attention!

Finally and most importantly, for the actually publication goes a huge thanks to Frank for not only taking a chance on my first MS but giving overwhelming support and encouragement for it. His treatment, communication and professionalism were second to none.  During the tiresome finalization of the book Nephilim Press continued to offer assistance in getting it completed.

 I truly hope serious magicians enjoy and benefit from its use. I also look forward to hearing about personal experiences from many of you!



















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